電影作品《我，十九歲》創作論述

A Critique Essay on the Film Work： Me,19

鄭乃方(NAI-FANG CHENG)

指導教授 ： 焦雄屏

國立臺北藝術大學/電影與新媒體學院展演書面報告/電影創作學系碩士班/碩士(2012年)

https://doi.org/10.6835/TNUA.2012.00070

摘要

本論述將透過電影作品《我，十九歲》進行各項學術探討，自第一章開始經由創作動機、創作背景及研究方法，概述本片發展之緣由以及整體方向；第二章透過類型分析、以及類型作品相互間比較，並從歷史脈絡、史料蒐集、電影賞析試論亞洲特有之校園愛情電影風格，並與以歸納類型特色，第二節再以同類型電影與本片相互比較，實證類型元素及手法異同，並藉此歸納出歷史脈絡與實際市場定位；第三章主題闡述及相關主題電影探討，將深入本片核心，分析創作主題及思想，表述作者觀點及作品精神，並透過同主題電影比較，了解此類主題的發展現況，並從中得取經驗；第五章風格與美學，闡述本片在表演、攝影、聲音、美術、剪輯、特效的各項形式表現手法，並從形式美學中分析創作意涵；第六章透過作品執行方法，從前製作業、拍攝期到後期製作，深入描述本片每個實際執行環節，輪廓出本片從發想、執行至完成的樣貌；第七章創作日誌與過程檢討，將實際執行的細節部分，當下遇到之困難，其解決方式、演變過程，透過日誌審視自我執行歷程；第八章作品檢討，總述本論文各章節之分析與探討，並以綜觀及客觀的立場檢討本片之優劣處，從中得取經驗，並做為未來創作之養分。

關鍵字

電影 ； 我十九歲 ； 鄭乃方 ； 校園愛情電影 ； 類型電影

並列摘要

The study discusses the film “Me, 19” from different academic perspectives. Chapter 1 starts with motivation, background and research method and also outlines the reasons to make the film as well as general direction. In Chapter 2, through genre analysis and inter-comparison between films of different genres, historical context, historical data collection, film appreciation, the study tries to discuss the specific Asian style campus romance and categorize it into a certain genre by its features. In Section 2 of the chapter, other films of the same genre are compared to this film to testify genre elements and similarities/differences of techniques by which we can generalize historical context and practical marketing positioning. Chapter 3 elaborates on the theme and discussion on films with related themes. Meanwhile, the study probes into the core of this film, analyzes the theme and ideas and states the author’s point of view and essence of the work. Besides, we try to understand current development situation of this type of theme in discussion and acquire experiences by comparison with films of the same theme. Chapter 5 is about style and aesthetics. We discuss techniques of expression in all kinds of form, including performance, photography, sound, art, editing and special effect. Also we analyze the meaning of creation by formal aesthetics. In Chapter 6, through execution methods of the film, from preproduction, shooting to postproduction, we go further to describe every practical execution phase and gain a contour of this film from brainstorming, execution to completion. Chapter 7 is about the journal of creation and review of process, including details of the practical execution, difficulties encountered at that time, solution, evolution, which are used to self-review the whole execution process through the journal. Chapter 8 is a general review of the film. We try to sum up previous analyses and discussion in each chapter of the study and review the pros and cons of this film from a comprehensive and subjective point of view so as to learn more experiences and provide insights for future works.

並列關鍵字

Film ； ME19 ； Cheng NAI FANG

參考文獻

郎朗、大衛．里茲，《朗朗-我用鋼琴改變世界》，李靈譯，台北：遠流。

《學生之愛》，林清介，1981

《漂浪青春》，周美玲，2007

《美麗人生》，電視劇，2000

David Lynch，《大衛林區談創意》，盧慈穎譯，台北：遠流。ISBN：9789573262671