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  • 學位論文

傳統音樂對我創作的啟示

The Inspiration from Traditional Music Found in My Compositions

指導教授 : 馬水龍
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摘要


本篇創作論述,試圖由傳統音樂中的相關語法及結構進行探討,繼而延伸轉化傳統音樂語法與傳統人文美學於筆者個人創作中實踐,並透過作品實例來佐證上述創作理念之可行性。創作理念乃擷取自傳統音樂語法之特徵,進而轉化成為個人創作語言及創作理念的立足點,實踐於音樂創作中成為本篇創作論述之主體,並輔以創作作品以茲佐證,以期創作理念與作品互為表裡,相輔相成。 由於「傳統音樂」的範圍極其廣闊,筆者受限於篇幅及研究時間有限,本篇創作論述先就「傳統哲學思維與美學觀」、「音樂語法的啟發及應用」、「鑼鼓樂對節拍節奏及聲響運用的啟示」、「戲曲形式的啟發及音樂劇場形式的呈現」等四點提出探討並作為研究之基點,以現階段的研究領域心得及創作作品做為基礎,進行研析,並將本篇創作論述的重點放在「傳統音樂對於個人音樂創作理念的啟示、探求與實踐」。並以「針對本身作品創作理念之闡述」及「作品相關技巧之分析」兩個主要脈絡進行探討。

關鍵字

傳統音樂 創作 音樂劇場

並列摘要


Composition of this thesis discussed, trying to explore related syntax and structure of traditional music, then extended into traditional music grammar and traditional practice of humanism in aesthetics in the compositions of my personal and work through examples to corroborate the above feasibility of creative ideas. Creative concept is a capture from the characteristics of traditional musical grammar, language and creative ideas turn into personal creation to stand, practice to become the mainstay of the creation of this article discussed in the music, supplemented by works to acknowledge of the corroboration, with a view to composing works of philosophy and list each other, complement each other. Due to "traditional music" of range extremely broad, I by limited to length and the research time limited, this article creation Exposition first on "traditional philosophy thinking and aesthetics views", and "music syntax of inspired and the application", and "Chinese drums and cymbals music on beat rhythm and the sound using of inspiration", and "Chinese Opera form of inspired and the music theatre form of rendering", four points made discussion and as research of basis points, to at this stage of research area experience and the creation works do for foundation, for research on, and this article will creation exposition of focus put in " Traditional music for the enlightenment of the idea of personal music creation, research and practice. " And "itself works on the creative concept of" and "work-related skills of analysis" to explore two main thread.

並列關鍵字

Traditional Music Compositions Music Theater

參考文獻


小野譯精─福永光司 山井湧編。《氣的思想─中國自然觀和人的觀念的發展》,李慶譯。上海:上海人民出版社,1990。
Kostka, Stefan. Materials and techniques of twentieth-century music. Pearson Prentice Hall, 2006.
Lester, Joel. Analytic Approaches to Twentieth-Century Music. New York: W. W. Norton, 1989.
Rosen, Charles. Sonata Form. New York: W. W. Norton & Company, Inc., 1980.
Stone, Kurt. Music notation in the twentieth century: a practical guidebook. New York: W. W. Norton, 1980.

被引用紀錄


徐啟浩(2016)。中國傳統擊樂素材於華人現代擊樂作品之運用〔博士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-0102201619054900
李翠芸(2017)。擊樂作品《靜思.搧動》之音樂分析與詮釋〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-1202201722581500

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