曖昧的自由

Ambiguous Freedom： The Creation Discourse by Lee, Hsiang-Ying

李香瑩(Hsiang-Ying Lee)

指導教授 ： 董振平

國立臺北藝術大學/美術學院學術論文/美術學系碩士班美術史組/碩士(2014年)

摘要

摘要
個人化的過程也意味著日益孤獨的歷程。當個體在群體中成長為社會的一部分，只要沒有意識到個人行為所需承擔的可能性與責任，即如同有支隱形的保護傘遮蔽，不必與這世界相抗衡。一旦此個體察覺到獨立自主的完整性時，便覺得孑然一身，如何在群體與自我尋求自由的過程權衡，即成為重要的課題。
多數人的身體可依照意志自由移動，但身體亦可能是自由的一種限制，被空間所侷限。整體而言，我們所能活動的範圍：這個世界，就如同一個封閉的大型容器。然而意志的自由又是如何界定？與社會規範同步不悖行，先遵守規範即享有律法保護，這是否是交換而得的相對自由？人在社會中個人化的過程，必然面對著約定成俗的社會環境限制，除非心理上真正認同且服從這些規範，否則難以真正感受自由。於是，自由的定義是曖昧的，在社會中，人不能全然使用自己的本能而生存，必須經由學習而得的知識、能力、經驗來生活，基本上，生活的種種都依舊在社會規範的範籌中。
在作品中以人體作為食物本身，或是將人縮小當作玩物般賞玩，企圖在感覺上留下一些「奇異」（端視個人而定）的感受。原本位處於主動、主宰地位，不僅掌控決定文明發展，進而運用科技改變自然生理構造的人類，卻成為被動且受宰制的角色，沒有高聲疾呼爭取自由的呼籲，卻試著以多彩的糖衣包裝，用輕鬆繽紛的畫面對比自由受限被當作食材、寵物的人體。
本文藉由筆者由2007年至2010年研究所時期所創作之作品，探討個人化的過程中感覺到的侷限，並由此發想，試圖找出個人創作之脈絡。以作品作為自我抒發亦或是與觀者溝通的語言，想說的是什麼（觀點）？敘述的方法為何（圖像的發想）？如何說的動聽（形、色、作品氛圍的呈現）？聽懂了嗎？（自我檢視與反思）藉此切入點討論作品內容。最後闡述所使用之版印技法（木版油印單版復刻、木平版）作為表現媒材的特殊性及操作方法。
本論文敘述共分為五個章節。第一章：以書信、散文的文體進行個人創作特質與研究動機之探討；第二章：木刻版版畫之源流及操作方式；第三章：討論進行相關主題創作之藝術家予筆者的啟發；第四章：將個人創作分為兩部份，討論創作理念及所使用的圖像語彙；第五章：作品說明；第六章：總結此時期之創作過程，及未來發展及延伸的可能。

關鍵字

自由 ； 飲食 ； 寵物 ； 木刻版畫

並列摘要

Abstract

The personal history of growing also means the personal isolation. When individuals grow up in groups as part of the community, as long as there is no awareness of personal behavior and responsibility to take the possibility that the invisible umbrella as a support shelter, do not have to compete with the world. Once the individual aware of the integrity of independent, they feel left alone, how to group the process of seeking freedom and self-balancing, it becomes an important issue.
Most of the human body can move freely in accordance with the will, but the body may also be a restriction of freedom was limited by space. Overall, the range of activities we can: in this world, just as a closed large container. However, the freedom of the will is how to define? Synchronization is not incompatible with the line of social norms, the first law to comply with norms that enjoy protection, whether this is derived from the relatively free exchange? Personal in the process of society, must face a conventional social constraints, unless psychologically true identity and to obey the rules and would be difficult to really feel free. Thus, the definition of freedom is ambiguous, in society, people can not completely use their own instincts for survival, must be obtained through the study of knowledge, ability, experience to life, basically, all of which are still living in social norms in the range of areas.
In the works to the body as the food itself, or as a plaything of the human-like admiration narrow attempt to leave in the sense that some "strange" (depending on individual may be) feel. Originally located at the initiative, dominance, control of the decision not only the development of civilization, and then use technology to change the physiological structure of human nature, has become dominated by the role of passive and no loud cries for freedom's call, but try to colorful coated packaging, compared with the easy freedom of colorful images are treated as restricted ingredients, pet the human body.

This article by the author from the 2007 to 2010 created the Institute during the period of the works of individuals in the process of perceived limitations, and thus made to try to find out the personal creation of the context. To express also works as a self or to communicate with the language of the audience, to say what (view)? Method described why (the image sent to)? How to say the sounds (shape, color, work atmosphere, the presentation)? Understand? (Self-review and reflection) entry point to discuss the content of the works. Finally, describes techniques used in printed version (single version mimeographed engraved woodblock, wood sheets) as the performance of the special nature of media and method of operation.
This paper describes divided into five chapters. Chapter I: The letters, prose writing style for personal characteristics and motivations of the study; second chapter: Woodcut Prints of the origin and method of operation; third chapter: the discussion topic creation inspired by the artist to the author; Chapter IV: the personal creation is divided into two parts, to discuss creative ideas and the vocabulary used in the image; Chapter V: Works appendix; VI: Summary of the creative process during this period, and the possible direction of future development.

並列關鍵字

freedom ； diet ； pets ； woodcut

參考文獻

廖炳惠，《吃的後現代》，二魚文化：台北，2004。

豐子愷，《護生畫集》，台北：純文學，1981。

Fromm Erich，莫迺滇譯，《逃避自由》，台北：志文，1989。

參考書目

王伯敏，《中國版畫史》，台北：蘭亭書店，1986。