摘要
生活中的觀察與體驗，是一條條創作的引線，意外的穿插在一幕幕的事件當中，無形的引線神秘之處，就在於它能在無法覺察的情境下，或在眼前，或在思緒中、腦海裡另闢一處空間，像是來到一處神秘的生活喻境，一處只為個人或少數人所知曉的地方。走在「喻境」裡，個人經歷的片段與現實分離，而其中的場景或事物卻又可能來自現實，怪奇與拼湊的情狀令人沉溺其中，身體不知不覺的陷入及抽離喻境的同時，正歷經一場不可言說的日夢。將經歷的片段隨筆勾勒或書寫於筆記中，創作的演練與計畫也逐一形成。 論述中以個人在生活中私密經驗的觀察為起點，開始第一章中對「私密性」的想法進行陳述，並舉出創作與創作當下的思維狀態。此外，由性別對於「私密性」在生活中表現進入第二章中，在創作的同時，以「陰性身體」與生活環境之間的交互關係來思考，以發展出第三章中所提及的「社會互動」，而「社會互動」當中所帶有的「私密性」，在此章節裡面，以創作的發想與演練為例，有另一番的探討。回顧幾個系列的創作歷程，與個人創作特質的陳述之後，第四章裡面思考到創作中回應生活與自我的層面，能否與作品中所具有的特質有所對應或不足的部份，進而延伸日後對於創作內涵的推衍。
並列摘要
The inspiration of creation exists the experience and observation of our daily life, appearing in accidental and invisible occasions, sometimes visible in front of us or emerging in our memory. It seems an imperceptible direction leading us to a “metaphor of surroundings” a place fulfilled imaginations in our heart. When you visit the “metaphor of surroundings”, the episodes of individual are separated from reality known by you. However, we also can find some scenes and matters, which are familiar with the realization world. It is fascinating for people to be drawn in the mysterious and extraordinary situations through an unbelievable daydream. Sketch the contours by random notes or write on note that go through, operation of creation and plan are taken shape one by one. According to the article, to observe the privacy experience of individual is the main idea, and there are some discussions related to it. At the first chapter, “the privacy” is the principle statement about the different spirit between the creation and the moment of creating; in addition, the varied gender may have some different impact on “the privacy” in daily life. And then, due to mention the “the social interaction” , and ”the privacy of the social interaction” in the third chapter, the interaction between “feminine peculiarity” and the environment we live in chapter two is an important ingredient for the development and rehearsal of creating which is a significant issue to discuss in this chapter. Finally, I ponder that the creations need to respond the personal life experience, after reviewing several series of the creation courses and the characteristic statement of individual productions. In order to extend the connotation of creation in the future,at the fourth chapter, it is a significant contention for me to deliberate whether the production is appropriate to personal experience or not.