舒伯特兩首早期鋼琴變奏曲《F大調十段變奏曲》D.156與《胡登伯納主題變奏曲》D.576

A Study on Schubert’s Two Early Piano Variations: Ten Variations in F Major, D.156 Variations on a Theme of Anselm Huttenbrenner, D.576

邱沛萱(Pei-Hsuan Chiu)

指導教授 ： 陳美鸞

國立臺北藝術大學/音樂學院學術論文/音樂學系碩士在職專班/碩士(2010年)

https://doi.org/10.6835/TNUA.2010.00099

摘要

舒伯特（Franz Schubert, 1797-1828）不僅以藝術歌曲聞名於世，其器樂作品也具高度的藝術價值。舒伯特的鋼琴創作種類多樣，從遵循古典傳統曲式的奏鳴曲與變奏曲，到十九世紀的鋼琴性格曲，都有傑出的作品。本論文選擇以舒伯特早期的兩首獨立鋼琴變奏曲《F大調十段變奏曲》（Ten Variations in F Major, D. 156）與《胡登伯納主題變奏曲》（Variations on a Theme of Anselm Hüttenbrenner, D. 576）為研究主題來進行討論。

這兩首鋼琴變奏曲有不同的主題來源，《F大調十段變奏曲》為舒伯特原創主題、《胡登伯納主題變奏曲》則是借用他人所作之旋律為主題。本論文之內容主要探討下列課題：（1）舒伯特對於不同來源的主題，在處理與寫作手法上有何異同；（2）主題結構在各變奏段落中的變化伸縮；（3）舒伯特使用哪些鋼琴技巧作為變奏樂段的呈現與音樂風格的展現；（4）這兩首鋼琴變奏曲在實際教學上的應用及其意義。

關鍵字

舒伯特 ； 變奏曲

並列摘要

Not only is Franz Schubert (1797-1828) known for his Lieder, he also wrote highly acclaimed works for instruments. His excellent piano works span across various categories, ranging from sonatas and variations that take the classic form, to 19th-century piano character pieces. This study mainly discusses two independent piano variations from Schubert’s early period, namely the Ten Variations in F Major, D. 156 and Variations on a Theme of Anselm Hüttenbrenner, D. 576.
Each of the two piano variations has its own distinctive theme: while the Ten Variations in F Major, D. 156 features Schubert’s original theme, the Variations on a Theme of Anselm Hüttenbrenner, D. 576 was based on a borrowed melody. This study discusses the following topics: (1) The different approaches Schubert took to composing music on different themes; (2) The changes in structure---including the change in length--- among different variations; (3) The piano techniques Schubert used to demonstrate a specific variation or a music style; (4) The applications and significance of these two piano variations in teaching practice.

並列關鍵字

Schubert ； variation

參考文獻

Gordon, Stewart. A History of Keyboard Literature. New York: Schirmer Book, 1996.

Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century Europe. New York: W.W. Norton, 1984.

Rosen, Charles. Sonata Form. Revised ed. New York: W.W. Norton, 1988.

Wolff, Konard. Masters of the Keyboard: Individual Style Elements in the Piano Music of Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. Enl. ed. Bloomington & Indianapolis: Indiana University Press, 1990.

洪欣怡。《海勒：花、果、刺曲集作品82，18首鋼琴性格曲之研究》。國立台北藝術大學音樂系碩士在職專班音樂專業師資教育組碩士論文，2008。