摘要
彰化地區是孕育曲館活動的搖籃，素有北管巢之稱，自清代開始各地曲館紛紛建館，到了日治時期曲館發展盛況空前。集樂軒培養出的六代子弟先生所形成的師承系統，深深地影響臺灣西部曲館的發展，甚至是全臺各地多處北管藝術的傳播與推廣，直至目前仍可從各地曲館的命名與師承關係看見其影響。 本文研究對象為彰化成樂軒的鄭夏苗，他是集樂軒培養出的第六代館先生，也是目前軒系僅存的館先生，他擁有四十多年的排場經驗，其戲曲演唱功力在彰化首屈一指，因擅長小旦與小生的「細口」，多在彰化各軒系曲館間支援，也因此累積了他在戲曲唱腔的豐富性。從他的生命史、傳館狀況及戲曲藝術反映出個人特有的詮釋方式及軒系曲館社會發展意義，另外，也藉此回顧整個集樂軒師承系統的興衰，本文以新路戲曲〈三進宮〉為例，來釐清軒、園音樂內容的細微差異，重新思索二者在彰化曲館發展史的重要性。
關鍵字
彰化、軒系、曲館、細口、鄭夏苗並列摘要
Changhua is the cradle of breeding the activities of Beiguan music clubs, known as the Beiguan music nest. Since the Qing Dynasty , many music clubs were built during that period, and they flourished under the Japanese rule. Chip lok ian’s(集樂軒) six generations of Beiguan musician formed the succession system which deeply influenced the development of the Beiguan music clubs in Western Taiwan, as well as the dissemination and the promotion of Beiguan music art in many parts of Taiwan, from naming and the succession system of Beiguan music clubs all over Taiwan we can see chip lok ian’s influence. This study focus on Chia-Miao Cheng(鄭夏苗)who is chip lok ian’s six generations of Beiguan artist formed the succession system which deeply influenced the development of the Beiguan music clubs in Western Taiwan and the only one artist of seng lok ian (成樂軒). Now, he has the experience of performing for over forty years, his singing skill of the drama music is second to none in Changhua Country. Because Chia-Miao Cheng is good at " iu khau (細口)" of the young male character and young female character, he often assists the performance of Beiguan music clubs of ian system in Changhua Country. Therefore he accumulates a wealth of the opera music singing skills. From his life history, situation of transmitting the club and Beiguan opera arts, we can understand his unique style of interpretations and the social significance of the development of Beiguan music clubs of ian system, as well as review the rise and fall of the succession system of chip lok ian, the article focus on the new style of Beiguan music ‘The Third Time Enter a Palace’ (三進宮)to clarify the detailed difference between chip lok ian and le chhun oan(梨春園), and re-measure the importance of both Beiguan music clubs in the history of the development of Beiguan music clubs in Changhua country.