數位時代下,面對無所不在的訊息影像:紀實的、真實的、虛擬的⋯⋯,我們已經分辨不出真假。我們是操控著視覺裝置的觀察者,同時亦是被視覺監視的被觀察物。面對當下沒有東西看或看不見東西的時候,甚至看見了,卻也懷疑自己的眼睛,我們失去對事物的感知能力。 筆者的碩士創作論文先以第一章說明創作研究的背景和動機;在第二章中從觀察者的歷程進而探討觀察者與其視覺機具所帶來的視覺革命,並且在可見與可述之間作為創作上的背景論述;第三章說明此作品計畫的展演形式與影像創作上的想法;第四章則是筆者對自身創作脈絡的回顧;第五章作為結語,期能為數位時代下的「我」找到觀看的位置。
Facing the numerous images and messages in digital era, whether it is documentary, real, or virtual, we had lose the ability to identify true and false. We are the observers whom are controlling these visual instruments, and we have been visual observed at the same time. When there is nothing exited or we can’t see things, we doubt our own eyes even we saw something, because we have lost the sensibility for things. This thesis started with research background and motivation in the first chapter. The following chapter proceeded from the observer’s personal experiences to discuss the visual revolution brought by visual instruments, which is developed by the author as the background discourse between being seen and being narrated. The third chapter described the exhibition type and concepts of this image creation project. Then the fourth chapter is back to review the author herself about this whole creative process. The fifth chapter as an epilogue, the author wish to find the position of her own observation in digital era.