雕塑技法-日常生活動作的轉用

雕塑技法-日常生活動作的轉用；此篇論文主要以自身創作做為出發，文中所牽涉到的美學脈絡思考，主要是從《土與釉》、《消費瘤刑》兩系列作品相關的美學與藝術史上的脈絡思考作為闡述。歸納整理作品脈絡，發現藉由日常生活中習以為常的動作，轉化成為雕塑成形的一種方法。以倒敘的時間序，分別論述現在、過去、未來作為此篇論文的主要架構。論文分為四大章，第一章，日常生活動作的延續，從傳統雕塑的技法到日常動作轉用的創作脈絡中，統理出創作手法的慣性。第二章、第三章，主要論述2012~2015年研究所期間，《土與釉》、《消費瘤刑》兩系列作品。第四章、現在，以前，以後。第一節、現在，歸納整理《土與釉》、《消費瘤刑》兩系列作品作為總結。第二節、以前，以後，以前，藉由回顧過去的作品，反思過去至今創作的問題。以後，則是思考現今所面臨的問題，如何解決，成為未來創作的基礎，以及可能的方向。

關鍵字

日常生活雕塑技法

並列摘要

Sculpture techniques: transforming the gestures of our Bodies from daily life. Through the investigation of my practice, I found out that the gestures of our bodies could be transformed into the means of sculpture techniques. 　　　This paper is divided into four chapters. In the first chapter—extending the gestures of our bodies from daily life—I found out the commonality of artistic means from making traditional sculptures and from the daily gestures of our bodies. 　　　In chapter two and three, I will mainly deliberate two series of my works ,“Earth and Glaze” and “Consuming Fashion”, which I created in grad school during 2012~2015. In Chapter Four, there are two sections: the Now, and the Past and the Future. In section one: the Now, I will conclude my current state in art through visual analyzing two series of my works, “Earth and Glaze” and “Consuming Fashion”. In section two: the Past, I will look back to the works that I have made in order to rethink my problems in making artworks; the Future, contemplating and dealing with the problems that I have encountered in art will be fruitful for me to explore the possible directions and paths of making artworks in the future.