遙遠的一方 ─自我水墨繪畫語境探索

A Remote Mystery ─ My Self Exploration in the Style of Ink Painting

彭羽璿(Peng,Yu-hsuan)

指導教授 ： 林章湖

國立臺北藝術大學/美術學院學術論文/美術學系碩士班創作組/碩士(2014年)

https://doi.org/10.6835/TNUA.2014.00185

摘要

〝遙遠的一方〞自我水墨繪畫語境的探索，從觀察社會面貌，探視到母體文化於所處世代失落的狀態，以及與自我之間疏離的關係，藉由創作的轉化及表現，尋求自我內在的心境狀態，透過階段性的整合及發想，在水墨視覺語彙表達上作出主體價值性的回應。「遙遠的一方」，意旨即是：關於自我內在生命情感的探索、再現與表達。以下藉由每章不同探討的觀點，統整與歸納。
第一章：緒論
包括創作動機及創作目的。
第二章：創作主題內容與創作理念
關於創作主題內容與創作理念的核心探討，從物象轉化到對於都市社會 “人”的觀想，延伸至自我於社會所處價值以及家族文化(客家文化) 在當代與自我連結的關係，進而注視觀看個人內在生命情感變化的探尋。
第三章：創作技法與分析
形式媒材上的思考，以影像輸出與水墨視覺語彙作結合呈現及探討，並列舉當代藝術家在形式技法及內容上與個人創作對應處的比對。
第四章：自我水墨繪畫語境發展途徑
「承」與「變」的思考方向，繼承最熟悉及接觸最多的水墨藝術文化，把握當代創作意識及個人內在的特質，發展出自我水墨繪畫的語彙。
第五章：結論
檢視自我創作成果及展演心得並釐清創作思維的方向。
關鍵詞：都市社會、客家文化、自我情感、影像輸出。

關鍵字

都市社會；客家文化；自我情感；影像輸出

並列摘要

“A Remote Mystery”, my self-exploration in the style of ink painting: From observing the faces of society to watching the lost status of parent culture in the present generation and the indifferent relationships between the self and culture, I searched for my inner-self status of mind through the transformation and expression of creations. I make value-subject responses on the visual language of ink painting creation by the integration and the development of thoughts in creation stages. The meaning of “A Remote Mystery” is about the exploration, reproduction and expression of my inner-life emotion. The following are the integration and induction made from different views of investigation in each chapter.
Chapter 1：Introduction ─ Include the motivation and purpose of creating.
Chapter 2：Contents of the creative theme and creative ideas ─ The core investigations of the creative theme and creative ideas: caring from the transformation of physical images to the thoughts of contemporary society about “human” and finally to the connections of family-cultural (Hakka Culture) generations, then I watched my exploration of inner-life experiences and emotions.
Chapter 3：Creation techniques and analysis ─ The thinking of materials is represented and investigated by the combination of image output and the ink painting language. The comparisons of forms and contents on the related parts of creations between contemporary artists and mine are listed.
Chapter 4：The development of my self-exploration in the style of ink painting ─ The conceptions of “proceed” and “change” inherit the most familiar culture of ink painting art and develop an ink painting language belonging to self by grasping the contemporary creative consciousness and the personal inner characteristics.
Chapter 5： Conclusions ─ The reflection of my creations and the thoughts of exhibition and further clarify the direction of creative thinking is represented.

Keywords：urban society, Hakka Culture, self emotion, image output

並列關鍵字

urban society；Hakka Culture；self emotion；image output

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