天鵝計畫~鄭璟隆影像創作詮釋

本篇論述將以筆者在二○○八至二○一二年期間創作一系列以《天鵝計畫》為名的作品來做分析探討。全篇共分五章，分別從我的生活背景談起，再提到創作題材，講述創作媒材的演變，最後再說明作品的創作理念。以兩個軸線作為主要論述；一條主軸線為創作題材說明，另一條主軸為創作媒材說明。創作題材主要取自過去的生活經驗，青少年次文化中的「美感、完美」，而「天鵝」牠在漢斯．克里斯蒂安．安徒生（Hans Christian Andersen，1805－1875）所著的童話故事裡，被塑造成一種理想且完美的象徵。故取《天鵝計畫》則是藉由創作企圖達到某種想像中的理想狀態。另一條軸線則是主要談論創作媒材，並簡述媒材演變；當代為數位化的時代，作品也主要以攝影 (Photography)或影像拼貼（collage）的手法來回應流行于當代的藝術形式。本文將近年來之作品做一番回顧與省思，並提出現階段之創作心得，以修正未來創作之大略方向。

關鍵字

次文化、拼貼

並列摘要

This exposition will be analyzed and discussed about my collection creations named “Perfect Plan” from 2008 to 2012. The article is divided into five chapters, talking from my personal background, .creative themes, creative media evolution, and finally explain the creative work concepts. There are two axes as the main expositions; one is description of creation main theme, and the other is instruction of creative media. Creative subject matter is mainly from my past experiences of life, “Aesthetic sensitivity, Perfect” of youth subculture, and “the Swan” of the Hans Christian Andersen (1805-1875) fairy tales was be shaped into an ideal and perfect symbol. So the “Perfect Plan” was developed through the creation attempts to reach some kind of imagined ideal state. Another axis talks mostly about creative media and describe the media evolution; the present age is a digital age, works also response present art form primarily by photography or image collage modus operandi. This article will be review and reflect my recent years works and propose this stage creation experience to correct scanned art direction in the future.