貝多芬《鋼琴奏鳴曲》作品十四之一及之二演奏詮釋與分析

本文以貝多芬《鋼琴奏鳴曲》作品十四之一及十四之二的兩首姐妹作，加以研究探討，此兩首作品，較容易被大眾所忽略，有學者評論為相當傑出的作品，也有學者認為是屬劣等之作，評價相當兩極，而且目前國內尚未有論文對這兩首作品做完整地比較探討，而經過本研究的整理及分析後發現其實這兩首作品確實有其特別之處。本文先介紹貝多芬的生平，接下來概述貝多芬創作風格的分期法，分為三個時期加以分析，最後分析作品十四之一及十四之二的樂曲架構，以及樂曲上的詮釋、演奏技巧，演奏技巧上則以彈奏時所需留意的細節加以討論。

關鍵字

貝多芬；鋼琴奏鳴曲； Op. 14-1 ； Op. 14-2

並列摘要

The research objects of this thesis are the two Piano Sonatas of L. v. Beethoven’s Op. 14-1 and Op. 14-2. These two Piano Sonatas are often neglected by researchers. Opinions towards these two Piano Sonatas can be divided into two opposing extremes: some scholars regarded them as excellent works, though others deemed it as clumsy ones. Furthermore, in Taiwan there are few theses fully analyzing and comparing the differences between these two Piano Sonatas. According to the induction and arrangement of the author of this thesis, there are actually some particular points of these two Piano Sonatas worthy of attention. In this thesis, the author would begin with the introduction of L. v. Beethoven’s life. Then, the author would state the three-period schema to divide Ludwig van Beethoven’s life into three periods. Finally, the form, the interpretation, and playing skills needed of Piano Sonatas: Op. 14-1 and Op. 14-2 would be analyzed. Especially, details of playing skills should be paid attention to would be discussed.

並列關鍵字

Beethoven ； Piano Sonatas ； Op. 14-1 ； Op. 14-2

參考文獻

克里姆遼夫( Kremlyov, Yuly Anatol’ yevich )。《論析貝多芬32首鋼琴奏鳴曲》，丁逢辰譯。（臺北：大呂，1994）。

肯尼士•德雷克( Kenneth Drake )。《貝多芬鋼琴奏鳴曲-他本人的彈奏和教學》( The Sonatas Of Beethoven, As He Playred And Taught Them )。王杰珍譯。桃園：原笙，2008。

Drake, Kenneth. The Beethoven Sonatas and the Creative Experience. Bloomington: Indiana University Press, 1994.

Kerman, Joseph. “Beethoven, Ludwig van” In The New Grove Dictionary of Music and Musicians. Ed. Stanley Sadie. 3 vols. London: Macmillan, 2000.

Taub, Robert. Playing The Beethoven Piano Sonatas. Pompton Plains: University of Amadeus Press, 2002.

國際替代計量

貝多芬《鋼琴奏鳴曲》作品十四之一及之二演奏詮釋與分析

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