- 學位論文
「日常生活的無事件空隙」- 高雅婷的繪畫與影像創作
Eventless Moments of Daily Life - Kao Ya-Ting’s Paintings and Image Creations.
摘要
本論文旨在闡述個人的創作理念和狀態，內容上較不似一般的學術研究論文，我嘗試展開自己的研究方式：第一章是我的創作態度，和創作的最初動機。第二章是關於日常生活如何成為想像發生的對象，舉兩位導演：路易斯．布紐爾 ( Louis Bunuel ) 、小津安二郎 ( Yasujiro Ozu) 和一位作家：羅蘭．巴特( Roland Barthes)的作品為文本去切入，從中尋找出創作的脈絡。第三章是說明創作的構成方式；我如何在日常生活中取景框做為繪畫或影像作品的來源，並說明使用這兩種媒材時的同與異。第四章談關於「無事件的空隙」的核心對象。第五章為結論，及日後繼續研究的方向。
並列摘要
This paper aims to discuss the personal creation concepts and varied states of the researcher. Unlike most academic theses, the researcher attempts to unfold one’s own research method, and provides descriptive explanations of the varied states of mind during creation. Chapter 1 describes a framework of creative attitude and initial motives. Chapter 2 displays how daily living becomes the subject of imagination, with example works of two directors, Louis Bunuel and Yasujiro Ozu, and one writer, Roland Barthes, in order to present a creative context. Chapter 3 explores the formation of creation, how the researcher uses this frame with daily creative sources of paintings and photographic works, and the similarities and differences between the two media. Chapter 4 looks at Eventless Moments; while Chapter 5 presents conclusions and directions for further study.