透過您的圖書館登入
IP:3.145.85.3
若您是本文的作者,可授權文章由華藝線上圖書館中協助推廣。

摘要


此論述旨在闡述個人之創作理念。藉由生命歷程回溯、周遭生活環境變遷的觀察,以創作的方式呈現出個體對於外、內在變遷的思考與理解,並將此做為階段性的歸納。各章節概要如下: 第一章為緒論,說明創作動機與目標。第二章主要是以變遷為議題,初探全球化的生活模式複製下,討論消費物品所映射出的社會文化特徵,來說明創作中使用之物件的來源與屬性。第三章探討的是:藉由研究從物體進入藝術脈絡發展中,對於創作思維變化的啟動,認知自身之創作理念背景;以及如何透過日常生活的觀察,在創作中相互作用著。第四章則以版印作為創作媒介,經自身作品的閱讀,描述由外在環境變遷,到自身內在轉變之創作演繹歷程。最後章節是為本創作論述研究之心得總結,並藉此檢視作品延伸發展的可能性。

關鍵字

變遷 拓印

並列摘要


This statement is delivering the creative ideas of Liu Mei-Ling's art works and its developments. By looking back of passed life, and observing the surrounding environment changes, to create art pieces which show the concept of changes of authors’ and the worlds’. Base on these concepts to generalized all of stages of artist’s creating period from very beginning. This project of “Induction of Daily Life” contains five chapters as follows: Chapter 1 presents the creative intention and goals. The second chapter is mainly based on the topic of changes: the globalization lifestyle copied and the consumer goods mapping out the social and cultural characteristics, so to explain the source and category using in the creation of the object. The third chapter discusses the change of creative thoughts. The creative thoughts have been inspired and changed firmly by studying cases of the development of Object Art in art history and researching in academic institution. Through observation the daily life to knowing how did they interact each other. Chapter IV is talking about using printmaking as the media and through examining previous artworks to explain how the environment changes impact creative stages. Final chapter is conclusion, concludes the experience of this research, and to review the possibility of extending development from existed works

並列關鍵字

change relief

參考文獻


12. Michael Hardt•Antonio Negri著,韋本•李尚遠譯。2002。《帝國》。臺北市:商周出版。
7. 黃任暘,《「拾得物」的文化符碼意義─黃任暘創作自述》。2009。
9. 高雅婷,《日常生活的無事件空隙─高雅婷的繪畫與影像創作》,2010。
1. Riva Castleman著•張正仁譯。2001。《二十世紀版畫藝術史》。臺北市:遠流。

延伸閱讀


國際替代計量