當身體成為線條：一個關於創作的試驗

摘要　　這是一個關於知覺的創作試驗，探討身體知覺如何作用在創作的過程。知覺創作是在上個世紀才開始受重視，藝術家們從原始藝術和非主流藝術中得到創作靈感，以畫所知取代其所見的觀點，而有現代藝術中的原始主義探討。因為發現自己對自己做的作品的隔閡感，而開始思考這個以知覺為主的試驗，來解決創作上的問題。試驗是從2005年開始，從一次意外的知覺創作經驗，慢慢回推朔可能的試驗路徑。最後發現其實可以用很簡單的方式－身體動作和感官的應用，便可讓知覺作用於創作中。我把試驗報告分成兩個部份，第一部份是知覺如何作用於創作中，第二部份是知覺作用的結果，談試驗知覺創作的心得。試驗中知覺到的形態具多樣性，從試驗過程中也發現，知覺比較像是個橋梁，架接到人的潛意識領域探索。所以當身體成為線條，便是使用知覺與個人潛意識的表達。關鍵字：知覺、無意圖性、身體感官、潛意識

關鍵字

知覺、無意圖性、身體感官、潛意識

並列摘要

Abstract This is an experiment of the perceptions, to explore how perceptions effect in the process of scribble. In the last century the artists get inspiration from primitive art and outsider art. The artists present what they know to replace they see. The personal sensation was mentioned on the time. Therefore, there is a state of primitivism in modern art. I began to plan the experiment of perceptions, in order to solve the personal difficulty of creation. It start from 2005 to now, I try to let perception work in the process of scribbles. Finally found a simple path –use body movements and sensory organs effect, can be perceived in the creation. The experiment report is divided into two parts. One part is how perceptions affect the process of scribbling, and the other part is talked about the result of perceptual effect. Perception in the creation like bridge, receive messages from the subconscious. Therefore, as a body composed lines, is meant an expression of the subconscious. Key words: perception、non-intentionality、senses、subconscious