- 學位論文
高男高音（Countertenor）的源起、發展與在歌劇中的運用
The Original of Countertenor and the Development in Opera History
摘要
高男高音（Countertenor）為男性歌者以假聲方式演唱之代表，本文主要探討對於其源起及發展過程，由歷史的演變中探討不同時期的轉變與發展，從17、18、19世紀到當代，先介紹男性假聲也就是高男高音發聲方式做探討，然後從 17世紀教會音樂的作品中高男高音的本質與特色做探討，進而闡述閹唱者的社會背景，以及如何在18世紀影響歌劇的發展；隨者19世紀社會意識的覺醒下，閹唱者與男性假聲的演唱逐漸消失於音樂舞台上。到了20世紀，高男高音又重新站到音樂舞台上，在古樂復興的帶動下，許多作品又重新回到高男高音的懷抱。本文最後探討高男高音在現代的開展及其藝術之美。
並列摘要
Countertenor Representatives singing for male singers by way of falsetto, this text probes into its source getting up and evolution mainly, probe into transition and development of different periods from the development of history, from 17-18, reach contemporary the 19th century, recommend male falsetto whether countertenor sound way make discussion first, then do the discussion in the countertenor's essence and characteristic from teaching the works of the music the 17th century, and how about influenced the development of the opera in the 18th century; The castrato faded with the singing of the male falsetto on the music stage under the awakening of social consciousness in the 19th century. By the 20th century, the countertenor stood to the music stage again, under the leadership of early music rejuvenation, a lot of works get back to the countertenor's field again. This text probes into the countertenor in the modern development and beauty of the art finally.