論文內容分為三大主軸,筆者藉由一個城市的形態與自然環境的融合,會對當地居民產生影響,闡述不同的空間對一個創作者的重要。編舞者對身體的認知與探索會影響舞蹈作品甚至影響舞者的展現。筆者的畢製舞作《時光》,藉由一女子透過其身體與故事,對往日時間流逝的回顧,及因不同時空所營造出的社會氛圍,所投射出的深刻情感。 第一章,筆者用時間與空間角度來理解一座城市。花蓮許多的舊村莊與老社區經過時間洗禮,留下歲月足跡,經過不同的時空,進而創造出許許多多的故事。除此之外,花蓮這城市有開闊的景觀,特殊的人情味,影響著在此地居住的人,更影響著此地的創作者。 第二章,關於一個創作者對於自我舞蹈過程與肢體探索進行剖析。舞蹈創作者需要細細推敲,斟酌與了解不同舞者的動作屬性與肢體風格。如何適當運用舞者的身體創作出好的作品,是編舞者要持續學習的。 第三章,關於舞作《時光》的文字描述,除了描繪舞作的內容外,亦敘述舞台、影像與音樂設計。筆者透過文字的描繪,更深一層地了解自我與檢討創作中的盲點,透過再一次的回顧尋找作品更大空間可行性。
This research paper divides into three parts. The author describes the pattern of a city and natural environment would influence on local people, and through such a relationship to illustrate different spaces are important to a creator. Each choreographer’s cognition and exploration toward body would influence on works, even dancers’ performance. The author’s graduation work “The Time” is retrospection of past time and social atmosphere of different time and space through a girl’s body to show a great affection for her story. In Chapter One, the author makes use of time and space to discuss a city, Hualien. As time goes by, old villages and old community left footmarks of years and created many stories with different spaces. In addition to majestic scenery, the city owns special human touch to impact on those who live here, and even local creators. Chapter Two is about the author’s dissection of the process of self-dancing and exploration of body. A choreographer needs to weigh and understand different dancers’ characteristic of movement and style of body. How to make good use of dancers’ body to create better works is what a choreographer has to keep learning. Chapter Three is about the description of words of “The Time.” Except the contents, the author also describes the stage, image and the process of music design. The author attempts to make a self-examination and find out scotoma of creation through the description of words. Besides, the author traces back again to find out the strong possibility of the work.