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  • 學位論文

日治時期台灣戲曲音樂現代性初探-以有聲資料《聽到臺灣歷史的聲音》為主要分析對象

Basic Discussions Of The Modernity In Music of Taiwan Xi Qu During The Japanese Colonial Era—An Analysis of Audio Data on “Echoes of Taiwan History”

指導教授 : 徐亞湘

摘要


日治時期臺灣的現代化是一種壓縮、重層化的現代化過程,因此,傳統和現代的概念大多並置或是重疊,並沒有強烈的對立關係,戲曲音樂也在現代化作用下有了改革和創新的情形,吸取當時西洋通俗音樂—爵士樂的音樂元素。從2000年江武昌主編的《聽到臺灣歷史的聲音》所附的CD錄音資料中,不但能夠窺探日治時期戲曲音樂樣貌,更能夠直接聆聽當時戲曲音樂創新、改良的情形,本文企圖從分析日治時期現代化作用下所帶來影響,進而討論整個戲曲音樂環境變化和戲曲音樂創新改良的情形。最後企圖從消費性、社會階層和創作者背景來觀察日治時期的戲曲音樂創作者在戲曲創新時選擇音樂元素的依據為最後筆者藉由戲曲音樂和爵士樂共通點的討論,企圖說明兩者在戲曲創新更多的可能性。而藉由日治時期臺灣戲曲音樂現代性的討論中,能夠提供當代戲曲創新的一個新方向,使當代的戲曲改革可以有更多不同的發展與可能性,也在西洋音樂的討論不再只侷限於西洋古典音樂,而是更全面、完整的討論各個不同類型和層面的西洋音樂系統

並列摘要


In the Japanese colonial era, Taiwan's modernization is the form of compression and the heavy stratified modernized process. Therefore, traditional and the modern concept mostly juxtaposes perhaps overlaps with no intense opposition relations. Drama music, under the modernized process, had reformed and innovated by the absorption the element of the jazz music, the Western world popular music. From“Echoes of Taiwan History”by Chaun-Wu Chang in year 2000, we could not only spy music of Taiwan xi qu appearance on Japan to govern, but also listen respectfully directly from Taiwan xi qu’s innovation, the improvement situation at that time. This article attempts to do the analysis from the Japanese colonial era under the time modernization function to bring the influence, and then to discuss entire drama music environmental variation and drama music innovation improvement situation. Finally, the article attempts to make the consumption, the social class and the creator background observes the drama music creator who Japan governs the time when the drama innovation chooses music element the basis for the final author because of the drama music and jazz common spot discussion, the attempt explained both innovate more possibilities at the drama.

參考文獻


〈改良採茶與採茶改良〉《臺灣戲專學刊》9,2004年7月,頁263∼284。
Frith Simon著
Giddens Anthony、尹弘毅譯
Ritzer George著
Slater Don著、林祐聖、葉欣怡譯

被引用紀錄


陳婉菱(2015)。日治時期臺語流行歌曲編曲研究:以奧山貞吉之作品為例〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2015.00952

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