線條與裝飾意涵－許國賓創作自述

The meaning of Lines and Decoration in Hsu,Kuo-Pin Paintings

許國賓(Kuo-Pin Hsu)

指導教授 ： 張正仁

國立臺北藝術大學/美術學院/美術學系美術創作碩士班/碩士(2008年)

https://doi.org/10.6835/TNUA.2008.00095

摘要

摘要
本創作自述是以個人十多年來的創作為主軸，所建構而成的文字整理，是個人對學習繪畫過程中創作的心得整理，藉由作品來審視自己的心理狀態以及與社會有何種連結，並藉此進行自我的統合調整，促使自己更清楚的瞭解自己的作品，以作為自我與作品之間的檢視。希冀能經由文字鋪陳的邏輯思考，對作品與創作的歷程進行分析與歸納，能較清晰的釐清作品所要表達的意涵，以便更清楚的面對自我與創作。以下為本創作自述的扼要說明：
第一章緒論，在研究動機與目的、研究方法，說明引發自己創作的動機，在創作時的內心狀態，創作手法與內容的關係。
第二章探討個人作品的發展脈絡、創作軌跡，以藝術史的發展參照和美學的論證做為歸納，釐清抽象繪畫與裝飾性的關係，闡述自身經驗與繪畫語彙的建立，進一步分析比較相關的資料。
第三章對個人作品裡，材料的運用、線條的性質、裝飾性質、透明材質、多層次的空間等作繪畫性的探究，並舉出對自己創作有影響的藝術家加入比較與說明。
第四章討論創作發展的可能性。就自己的創作現況、創作延伸方向的關係，作釐清與省思，尋求下一步的可能性。

關鍵字

線條,裝飾性,透明,空間,律動

並列摘要

Abstract
The main constuction of this thesis is based on my personal creation process for the past ten years. This is a documentary of my creation experiences, feelings, and life. It reflected the topics I concerned and the association between the world and the author. By doing this, I can adjust myself to my creation and find the meaning as well as the joy of the creation. What’s more, it listed all the attempts and efforts that I have done. Furthermore, in this thesis, you will see how I realized me myself and my creation by logically recording, thinking, analyzing, and inducting my creation process. This thesis is divided into four parts as follows.
The first section introduces the motives, objectives, and research methods of this study, which elaborate the relations among the creative motivation, inner conditions, methods, and contents. The second section discusses the development and tracks of the creation. Based on the reference of art history and aesthetics, this part clarifies not only the relations between abstract art and decoration but also the similarities and differences between the creation and essence of art. The third part explores the application of materials, lines, decorations, hyaline materials, and multilevel space . Moreover, the comparison is made, which explains my creation with the artists’ works who have influence on me. Finally, the last stage shows the possible development of creation. According to my situation and the extension of my creation, the reflections, reviews and expectiation gained from this study.

並列關鍵字

line, decoration, hyaline, space, rhythm

參考文獻

Nicholas Mirzoeff 著，陳芸芸 譯，《視覺文化導論》韋伯文化出版，2004

亞瑟．丹托 Arthur C. Danto 著，林雅琪/鄭慧雯譯，《在藝術終結之後：藝術與歷史藩籬》，麥田出版，2004

約翰．伯格 John Berger 著，吳莉君 譯，《觀看的方式》，麥田出版，2005

參考書目

Pam Meechan,Julie Sheldon 著，王秀滿 譯，《現代藝術批判》，韋伯文化出版，2003