摘要
摘要 筆者一直以「台灣牛」作為繪畫創作的題材，本文旨在更深入探求「台灣牛」，如何賦予更豐富的繪畫意象之美，及其創作理念能否再的衍生發展更完整的美學基礎。 「台灣牛」在台灣傳統農業社會中，是農人的重要幫手，也是家庭生活的一員，牠刻苦耐勞，默默耕耘不求回報的性格，更是台灣人心目中，所敬佩感恩。因此，如何以「台灣牛」為題材，在繪畫表現中，有更令人親近的情懷，成為本論文研究闡述的課題。 本論文的內容﹕一、為論述研究之動機與目的、方法與步驟、範圍與限制、名詞釋義等。二、為探討文獻資料中，有關牛的畫作，加以瞭解，並就表達之內容意涵與形式風格，予以分析賞識，以為本文論述與創作之參考。三、為以台灣牛為本研究之主體，從台灣文獻資料中探索台灣牛在台灣傳統農業的社會中，人們心目中的印象及台灣牛的角色與性格，並實地做田野觀察、記錄等畫稿，凝結出對台灣牛的繪畫意象，所應表現的意涵與內容。四、將整理完成的畫稿，透過創作理念，做實踐性的創作，並融合繪畫性的特質，運用色彩與造形，表現純繪畫的意象美之理念。五、就所創作之作品，提出七件代表作，分別做繪畫創作的理念分析，與作品意涵及形式表現之解說。 在一面研究文獻與實際創作，感覺自己就如隻台灣牛。在溶入繪畫情境中的同時，覺得自己一步一腳印的走在繪畫創作的田地?堙A不管筆者的耕耘成果，但求儘心力而為，更企求教授與繪畫先進們，多所鼓勵，以為自筆者內心的省思。
並列摘要
Abstract I am used to taking Taiwan Cattle as the subject matter of my painting works.This paper attempts to better understand how Taiwan Cattle make the visual images of my paintings more beautiful, and whether my creation ideology can develop a more complete aesthetic grounds or not. Taiwan Cattle is not only an important helper to farmers but also one family member in the family life of farmers in the traditional rural Taiwanese society.The characters of Taiwan Cattle such painstaking and quietly-working are respected by the Taiwanese. Therefore, taking Taiwan Cattle as the subject matter of painting gains more friendly feeling on the art performance is a very important issue of this study. The following are the main parts of this paper: 1.The first part introduces research motivation, objectives, research methods, steps, limitations and meanings of terminology. 2.To gain a deeper understanding on the paintings of cattle from literature review and to analyze and appreciate the implications of content and the form and style.These were valuable references for the statement and works in this paper.3. The main part of this research is Taiwan cattle.I aim to explore the impression on Taiwan cattle as well as its role and characteristics in the Taiwanese’ mind from literature review of Taiwan cattle in the traditional rural Taiwanese society.This paper focuses on the field observations and the script of paintings to find out the implications and content through the image of Taiwan cattle.4. The scripts of paintings are collected and associated to put the concept of creation into the real creation.In addition, while harmonizing in the painting characteristics. Furthermore, I make use of color and form application to express the beauty of image of the pure painting production.5. Seven copies of all my painting works are presented to perform the conceptual analysis and the explanations of the implications as well as the forms and styles of my painting works respectively. I felt like a Taiwan cattle myself when I study the literature and create my art production in the meantime.During the process I infused all my emotion into the painting situation, I keep developing the field of my painting creation.No matter what are the accomplishments after hardy working, I will do my best all my life.Finally, I much look forward the comments and encouragement from the professors and the seniors at the circle of paintings as my own reflections.