綺麗花鳥畫之創作研究

綺麗花鳥畫之創作研究摘要　　本創作研究旨在綺麗花鳥畫風之創作研究。以花鳥為主軸，融合中國畫論，探討綺麗風貌之表現意涵，運用中、西美學思想，藝術史研究法，激發個人在繪畫創作的墨彩精神與人文情思，藉由主觀的借物造情，客觀的借景造意建構筆者的藝術實踐。　　本論文共分五章。重點概述如下：　　第一章為緒論，擬就研究動機與目的、方法與範圍以及前人相關之重要研究，鎖定主題和理論的對照關係，淬煉與體現本創作研究。第二章在文獻與圖像探討中，由徐黃異體的理論激起花鳥畫的地位，串連起屬於綺麗風格呈現的精義，藉從中國美術史、及中西相關的美學理論……等，加以梳理出創作理念與學理、形式和技法等，使創作具有前導性、共融性，藉由圖像的觀察分析，理出一條脈絡，構築出未來重彩花鳥畫發展的方向。並以蘇軾的哲學觀、文學觀、繪畫觀進入院體畫和文人畫的討論，做為自我創作理念的基礎。第三章創作理念與實踐，藝術是人類視覺美感的表現，意念思想的傳達。在創作理念發展方面，以「花鳥」和自然不可分割之哲理，呈現宇宙的時間性，畫面的空間感。利用創作實踐方面題材的確定，媒材的選擇和技法的運用，達到以綺麗風貌作為思想性和感情創造之氣氛營造。第四章作品詮釋，以七件代表作品做個別解析：(一)、創作理念、(二)、學理基礎、(三)、內容形式、(四)、材料技法、(五)、總體表現。並藉由「布本」與「壓克力媒材」之交融中衍生出藝術的造形語彙，試圖展現整體與個別畫作之連動關係。而七件畫作分別以下述項目，詳加探討：　　(一)創作理念：想法反映於作品中，藉由綺麗的語意，連接花鳥的形象思維，開拓水墨花鳥畫的無窮可能性。　　(二)學理基礎：把畫論帶入畫中，著重美學觀念，哲學思考，藝術審美態度，共同譜成具有意義的藝術特質與風采。　　(三)內容形式：傳遞主題及形體，現象和本質的關係，在形式結構，筆墨運用做實驗產生獨特的藝術樣式。　　(四)材料技法：題材、媒材，技巧的呈現，產生各樣的表現手法，材料的抉擇，技法的實踐是形成藝術風格的重要因素。　　(五)總體表現：整體風格，表達方式的說明，以及對創作物的體驗和領會，耕耘的過程做檢討。　　　第五章為結論與省思，綜合研究與實際創作的心得來呈現個人對中國花鳥畫的研究，並探討「綺麗」風格之各種創作風格，並且以文人畫做時代背景，討論水墨精神之發展，歸納出詩、書、畫之彩墨花鳥畫風格呈現與技法應用。筆者在論文和創作交互研究後，歸納出以下幾項收穫與心得： (一)、本研究透過理論探索，把畫論帶入畫中，著重美學觀念，哲學思考，藝術審美態度，共同譜成具有意義的藝術特質與風采。對歷代花鳥畫發展歷程的分析歸納出創作心得，希望衍生出個人表現方向。 (二)、題材、媒材、技巧的呈現，以及對創作物的體驗和領會，產生各樣的表現手法，材料的抉擇，技法的實踐是形成藝術風格的重要因素。 (三)、在畫面結構與元素組成方面，透過許多不同的組合方式來加以嘗試，以求從中獲得許多不同於以往的創作題材。 (四)、在傳統的中國花鳥畫當中，結合西方的壓克力重彩媒材與繪畫理念、技法，從中尋求一種創作上異於前代的彩墨花鳥畫風貌。 (五)、藝術創作者要有敏銳的觀察，營造心靈的審美感受，激情的表達在作品上，產生感動的美感形式。在後續創作方向與沈思中，希望能更深入理論的研究，技法的磨練，為將來找出新的動力，注入新的語彙，以期對花鳥畫鑽研的心路歷程，學習心得，做為往後對人物畫開發新意，創造更多的可能性。藝術創作需要熱忱與執著，不斷的耕耘、嘗試，建造個人繪畫殿堂，除了傳承古法之外，還要借用現代的審美意識，獲取生命力，產生獨樹一格且具中國魅力之創作品。關鍵詞：花鳥畫，綺麗。

關鍵字

花鳥畫；綺麗

並列摘要

Research on colorfulness and brightness of flowers and birds painting creations Abstract This research is conducted to study the colorfulness and brightness of plants and birds painting creations. As plants and birds are the focus of paintings, Chinese painting theory, art history and aesthetics are integrated to create works rich in colors and brightness. Tangible objects such as flowers and birds are used and arranged differently in terms of space in paintings to present the intangible element, the atmosphere, the author tries to indicate. The first chapter is an introduction applying preceding studies, research method and purposes to reflect the interrelationship between the theme and art theory. The second chapter includes literature review and discussions of creations by the previous generations. Forms and techniques are produced and refined through the development of Chinese art history and Eastern and Western aesthetics. Picture observation and analysis give a clear direction to future development of heavy colors painting. Theme of creation and creation practices are discussed in the third part. With the long history and complexity of Chinese plants and birds painting, it is essential to analyze the theme of each piece of works. The plants and birds and the nature are inseparable, which leads to the discussions about concepts of aesthetics, time, and space arrangement in each work. For the author’s own creation, presentation of sense and sensibility of every piece of works is based on rich, bright colors. Chapter four presents creation interpretation which includes seven pieces of works. These creations are analyzed form perspectives of theme, academic theory, content and form, material and techniques and finally, overall presentation. The marriage of cloth and acrylic colors develop into an art form, and the relationship between whole creations and individual piece of work is discussed. The final chapter, conclusion, presents different art styles based on rich, bright colors and mainly focuses on Chinese plants and birds painting. The essence of water ink painting has been through long development, and it has been suggested that poetry, studies, and painting all have been influenced by each other and deeply interrelated, and color ink plants and birds painting is, no doubt, also affected. Through theory exploration, the author looks forward to creating works that encompass aesthetics, philosophical thinking and attitude toward art, and the analysis of works of previous generations is expected to indicate another direction for future creation. Theme, techniques, materials, and author’s own experiences and perceptions of art result in various ways pf presentation and interpretation, and it is believed that choice of materials and skill practices are important factors to art styles. Experiments on different combination of structures and elements are expected to provide different creations. As traditional Chinese plants and birds painting meets Western’s acrylic heavy colors, coupled with Western painting theory and skills, a totally different color ink plants and birds painting is certainly to be developed. Keywords： flowers and birds 、Research on colorfulness、 brightness 。