整體性「繪畫空間」之創作研究－夜景

過去筆者創作時，習慣著眼於主題、技巧，然而，要呈現感覺自體的世界，並非只畫眼所見、耳所聽的事物。藝術固然得訴諸於人的感官，但其實基本上是訴諸於心靈的。筆者便是運用心眼來感知事物的本質，進而去創作整體性的「繪畫空間」。夜景，是本篇論文探討繪畫空間的主題，它帶給筆者許多特殊的感受，譬如：崇高感、直覺和本質。空間的本身並不是在描摹或呈現一種空間中的物體，而是在呈現一種承載空間中的物體的空間自身，也就是說，內容並非是任何對象的轉換，而是在轉換我們的心靈層次，即一種觀念的創造，因畫家眼中的世界不同於科學家或是詩人眼中的世界，生活中的記憶、習性等知覺意象所形成的直覺，使筆者能看見不同其他人所見的「夜景」，藉由繪畫創作，來超越一般「看」的方式，一方面，用視覺來看自然，另一方面，用我們的心靈來統御感覺，將心靈的情感和動機，達到邏輯或方法處理的程度，進而明顯表現出物象「主要特徵」的部份，呈現內外合一的心靈境界。總之，在不斷的嘗試、取捨的過程中，藉由精神和情感來認清繪畫的本質和自體是很重要的。正如康丁斯基（Wassily Kandinsky,1866-1944）所認為：「抽象繪畫不單是『造型的』，也是『精神的』繪畫」。在心靈層次提升後，筆者無須再受限於空間的規限，期許每一次的創作，皆成為另一次筆者更為貼近「本質」的關鍵。關鍵詞：本質、夜景、繪畫空間。

關鍵字

本質、夜景、繪畫空間

並列摘要

The painter was used to focus on subjects and skills, however, to represent the world of the sensation self did not just what eyes seeing or ears hearing. Even thought we need sense organs to appreciate the art; in fact the mind is essential. In this creation, the painter expresses the integral whole pictorial space not only by the eye but also by the mind. The painter chooses the night scene as the subject of pictorial space in this thesis, since it brings about sublime, instinct and nature in painter’s mind. The space in a painting does not indicate the objects, on the contrary, space itself as the subject by which the objects indicate. Also, the content does not come from any objects transformed, but come from our (painter/ watcher) mind in which conducts the whole new concept. Because of mind’s difference, the world of a painter is different with the world of a scientist or a poet. To beyond “seeing”, night scene creates from painter’s instinct which agglomerates and associates from the memory of daily life, habitual behavior and sensed images. By using eyes to see, and using mind to dominate the feeling we are able to train the emotion and motive of mind into a logic level to demonstrate the main characteristic of subject in order to accomplish showing the inner meaning. After trying again and again, it is important to get a clear understanding of the nature of painting and painting itself by spirit and emotions. As Kandinsky (1866-1944) believe, “the abstract painting is not only about ‘forms’, but also about ‘spiritual’ painting.” After recognized the spirit, the space does no longer limit painter’s creation. In addition, every creation work will help painter to getting closer to the “nature” of painting. Keyword: nature, night scene, pictorial space.