綺羅媚影 當代女性水墨人物創作研究

本文主旨在探討筆者生活的環境中，女孩們的生活百態是如何繽紛絢麗，舉凡她們的聚會活動、不同的服裝打扮、科技帶來的影響之錯綜關係，筆者將透過細微觀察，將女孩們的現況與筆者從中得到之啟示，轉為個人創作之元素。在透過心靈轉化的過程中，將筆者的審美觀念與思維融入只屬於自我之創作實踐，於本篇內文詳述之。本研究主要文章的架構如下：第一章為緒論，主要描述筆者創作之研究動機與目的、研究內容與範圍、研究方法與名詞釋義。第二章為女性人物畫之美學觀探索，首先為女性人物畫之內涵與藝術表現的探索，簡易描述歷代仕女畫與線描之關係為何；其次為女性人物畫服飾古今之變，從服裝上找尋歷代仕女畫風格不同之處；最後是女性人物畫之時代風格，談論女性服飾之外在形象與內在的心理體現。第三章為「綺羅媚影」創作思維，主要描述筆者透過人物畫史、人物畫論、寫生與攝影蒐集資料之後，加上個人見解與體會，逐漸形成個人之創作理念，分別為創作思想、創作之構成元素、「綺羅媚影」之內涵探索。第四章為「綺羅媚影」作品解析，此章節屬於創作實踐之部分，筆者先敘述個人對現在女孩生活風氣之感受，將體會的感想轉化為創作之原動力，再透過七件代表作品探討各種生活形態之女孩面貌。第五章為結論，首先為回顧與省思，檢討這段時間以來研究的甘苦經驗；其次為未來展望，評估此次研究對以後創作之延展性，接續往後創作之參酌。

關鍵字

女性；人物畫；綺羅；媚影；水墨

並列摘要

The focus of this paper is to explore how the different aspects of girls’ lives are colorful and beautiful in the author’s living environemnt, such as their get-togethers, different attires, and complicated relationships brought on by the effects of modern technology. Through detailed observations, the current situation and the inspirations the author received are described within. The structure of the study is as follow: Chapter One introduces the motives of the author’s creation, scope of research, research method, and definitions of terms. Chapter Two looks at the aesthetics of female figure drawings. First, the meaning and artistic presentation of female figure drawings are explored, describing the relationship between drawings of maidens throughout history and line drawings . Next, the author examines the the changes of women’s garments throughout history by looking at the different styles of drawings. Finally, the author focuses on the style of the time for female figure drawings through discussions of the outer appearances and the expression of inner feeling. Chapter Three is the creative concept behind “Fashion and Beauty”. It mainly describes the meaning of “Fashion and Beauty” and how the author forms the concept and creative works through the history and theories of figure drawing, photography, and personal understanding and experiences. Chapter Four is the analysis of “Fashion and Beauty.” This section is the execution of the creative process. The author first describes her personal feelings about the life styles of modern girls and converts those thoughts into motivations of creativity. Thus, different facets of girls’ lives are explored through seven different works. Chapter Five is the conclusion, which looks back at the research and creative process. It also looks toward the future and assesses the effect of this research on future creations.