詩詞意境內涵之仕女畫工筆創作研究

Study on the Poetic Comception of Chinese Fine Brushwork Pointing of Beauties

李姿瑩(Tzu-Ying Lee)

指導教授 ： 沈政乾 ； 石允文

長榮大學/人文社會學院/美術系(所)/碩士(2017年)

摘要

本研究論文「詩詞意境內涵之仕女工畫筆創作研究」針對人物畫中之詩意，探討如何營造出人物畫之詩意氛圍，無論是以詩入畫或者營造出詩境之創作研究。「詩情畫意」一詞就藝術領域而言，充滿著唯美且饒富詩意的，而人物畫在歷史上也表達了當時文化內涵與精神寄託，兩者相互融合，以不同的方式做出詮釋。筆者將以生活中之觀察角度，細細體察生活周遭大小事，所謂「莫謂城中無好事」，生活一點一滴都可是最美的風景，融入古人詩句中的意境，實踐為創作。
　　本篇論文架構主要分為第一章緒論，主要描述筆者創作與研究之動機與目的、研究範圍與限制、研究方法與名詞釋義。第二章詩意美學之內涵探討，首先擬從古至今以詩入畫的詩意畫與先畫後詩的題畫詩之脈絡，了解歷代以詩入畫之內涵。第三章詩詞意人物形象之創作理念，將描述筆者在進行詩意人物創作時，透過了解歷代人物畫史與畫論，加上寫生、攝影與資料蒐集後，進行內化吸收之後實踐於創作中。第四章作品解析，此章節為創作實踐後，筆者以七件作品進行解析，分別探討詩意人物之內涵與筆者將其實踐的創作理念。第五章結論，回應第一章之研究目的，並自省不足之處加以檢討優缺、探討此次研究對往後創作之未來性與創作發展的可能性。

關鍵字

工筆仕女畫 ； 人物畫 ； 以詩入畫

並列摘要

This thesis takes the poetry of figure painting to explore how to create the poetic atmosphere in the painting, no matter the Poetic Comception of Chinese Fine Brushwork Pointing of Beauties. The word of “poetic” in the art is full of beauty and poetic, and figure painting in history expressed cultural connotation and spiritual sustenance, which is both to intermingle and explain in different ways. I will carefully observe every size of things around the life from the view of life; that is the so-called "don't say there is no good thing in the city", and every little bit in the life is the most beautiful scenery, which is intermingled into the ancient poem artistic conception, practicing for the creation.
This thesis is mainly divided into the first chapter of introduction, which mainly describes the motivation and purpose, research scope and limitations, research methods and definitions of term; the second chapter discusses the connotation of poetic aesthetics, from the poetic painting of “poetry containing painting” and the painting drew after poetry to understand the ancient meaning of poetry in painting; the third chapter is the creation conception of portraits, which will describe poetic creation of portraits through understanding the history of painting and theory and adding photography and data collection to practice in the creation after internalized absorption; the fourth chapter is analysis of works, in which the author analyzes seven pieces of works after creation and respectively explores the connotation of poetic portraits and the author's creative ideas of practice; the fifth chapter is the conclusion, which responses to the research purpose in the first chapter, reviews deficiencies as well as advantages and disadvantages, and explores the possibility of the future development and creation.

並列關鍵字

Chinese Fine Brushwork Pointing of Beauties ； figure painting ； poetry in painting

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