女力在繪畫中的意涵—許淑煙繪畫創作研究

Women’s Power in Paintings-a Research on Hsu, Shu-Yen’s Art Creation

許淑煙(Hsu Shu-Yen)

指導教授 ： 蘇憲法

國立臺灣師範大學/藝術學院/美術學系/碩士(2020年)

https://doi.org/10.6345/NTNU202000026

摘要

本論文以女力探索為主軸，並藉由筆者的繪畫創作及風格轉化歷程為論述對象，從階段性藝術創作風格的轉變中，找到自我認同的價值溯源。
女力概念是近代興起的人性正向意識，原意指展現發揮個人能力價值，現在泛指注重個人成長、關注時事，願意將更多時間和精力投入到自己覺得有意義事務上的女性。
筆者透過檢視歐洲女性圖像在不同時代背景之發展風格，與影響後人藝術創作因素，輔與心理學家榮格與拉岡分析理論對藝術創作之根源，並以新藝術時期代表性藝術家筆下女性表現方式，藉由謝列特、克林姆、慕夏作品探索女性自主性的追尋歷程與長遠影響。進而回顧個人在創作歷程中之心境歷程，來闡述女力形象相關論述，嚴肅看待筆者內心深層覺醒，創作女力意象。
基於筆者繪畫創作始於對藝術創作之興趣，在進入台灣師範大學美術研究所接受完整理論與創作實踐教育後，對個人繪畫動機之緣由產生莫大好奇。從縱向美術史發展到自我檢視個人創作歷程，從而對應女力時代意義，這樣的探尋過程，最終所獲得的收穫是令人相當欣喜。

關鍵字

新藝術 ； 鏡像 ； 原型 ； 女力

並列摘要

This paper focuses on the subject of “women’s power”. Through studying the author’s path of art creation and the changing of styles between periods, the author attempts to trace the origin of her self-identity and the formation of values she believed in.
The concept of women’s power has been a wave of positive awareness. It originally means that women should fulfill themselves by developing individual abilities. Now, it generally refers to women who focus on personal growth, keep up with current affairs, and are willing to devote more time and energy to matters they consider meaningful.
The author reviews the development and styles of the image of women presenting in European art and their effects on artists of later generations. Carl Gustav Jung and Jacques-Marie-‘Emile Lacan’s psychological theories are used to analyze the origin of artistic creation. Through the exploration of women’s representation in the works of iconic artists of the Art Nouveau, such as Jules Ch’eret, Gustav Klimt, and Alfons Maria Michae, the paper investigates the history of the pursuit of women’s autonomy and its long-lasting effects. The paper further inspects the author’s journey of art creation to discuss the presentation of the discourse of women’s image, and to take a serious look at the awakening deep inside her heart of creating women’s image.
The author’s creation of art came from pure interest. However, after receiving complete theoretical training and gaining practical experience in the M.A. program of the Department of Fine Arts at NTNU, the author’s curiosity on her motivation to paint was aroused. This study starts from an overview of art history, followed by a review of the personal journey of art creation, and ends with an examination of the meaning of the age of women. Such exploration yields fruitful and exciting results.

並列關鍵字

Art Nouveau ； mirror image ； prototype ； women's power

參考文獻

中文書目:

王怡仁(2015)。《天生富有》。新北市：賽斯文化。

王受之(2002)。《世界現代設計史》。中國：中國青年出版社。

正面思考(2015)。《正面思考語錄》。新北市：零極限文化。

艾莉森.沃爾夫（Alison Wolf）(2015)。《女力時代：改寫全球社會面貌的女性新興階級》(The XX Factor: How the Rise of Working Women Has Created a Far Less Equal World)。許恬寧譯。台北市：大塊文化。