小確幸-當代女性工筆人物畫創作研究

本文主旨為探討生活之中小而確實的幸福感，一句問候或是一個擁抱皆足以使生活增添快樂，以女孩做為創作主題，描繪她們生活之小確幸情景。無論為平時之舉止姿態或是服裝打扮，筆者透過仔細觀察並將之成為創作元素，透過分享與體會，了解到屬於她們點綴生活的喜樂，將所得到之資訊經由思緒之轉化以藝術創作之主觀意識與審美觀念融入創作與實踐之中。本研究主要文章架構如下：第一章為緒論，描述筆者此次創作之研究動機與目的、研究範圍與方法以及名詞釋義。第二章為人物畫探析，首先簡易描述人物畫之起源與發展，了解人物畫基本之來龍去脈，接著為女性人物畫與時代轉變，聚焦於仕女畫之服裝、身形與色彩在時代之變遷所呈現的不同樣貌，最後為傳統女性人物畫配景之淺探，談論歷代仕女畫當中配景之特色與變化。第三章為小確幸創作思維建構，主要描述筆者透過觀察與體會生活，闡述小確幸之本質及含意，接著經由寫生與書籍蒐集資料後加上創作實務所形成之主要創作理念，分別為小確幸意涵探索、構成元素及表現形式。第四章為小確幸作品解析，此章節主要為創作實踐之部分，敘述創作之主題源自於生活之美好，以及描述當代女性之特色，透過七件主要作品呈現女孩各種不同之生活體會。第五章為結論，回顧這段時間以來的研究心得，進行檢討與省思，並期許於未來創作之道路上有更進一步之發展。

關鍵字

女性；人物畫；小確幸；工筆畫

並列摘要

This study discusses a little happiness in life, which, whether coming from a simple greeting or a brief embrace, may bring joyfulness to life. The author portraits the scenarios in which a variety of young females as leading characters in painting are enjoying a little happiness. Through close observations, the author gains insight into the females’ everyday behaviors and wardrobe choices based upon which as elements of creation to create artworks. By sharing her thoughts with them and trying to relate to them, the author also realizes the joyfulness which enriches their lives. The author then transforms the gathered materials in her mind and integrates them into the practices of creation through her objective consciousness and aesthetic in art creation. The structure of this study is specified in the following paragraphs. Chapter one introduces the motivation, the objectives, the scope and the methodology of this study, followed by an explanation of terminology. Chapter two explores figure painting by introducing the origin and development of figure painting for people to roughly know its history, and then narrowing to focus upon female figure painting and looking at its different looks in clothing, figures and colors at different times of history. This chapter ends with a preliminary probe into the different characteristics and changes of traditional female figure painting in different dynasties. Chapter three describes how the author constructs her ways of thinking in manifesting a little happiness in her artworks. The author defines in this chapter the essence and implications of a little happiness using her observations and experiences of life. The definitions are then combined with her experiences in painting and materials collected from related books to form her theories of creation. This chapter includes three major parts of an exploration of implications in a little happiness, its elements and its forms of manifestation. Chapter four analyzes multiple artworks which manifest a little happiness. This chapter focuses primarily upon the practices of creation. Driven by the idea that themes of creative works come from the beauty of life, the author sorts out a variety of life experiences from seven major artworks as characteristics of contemporary females based upon which she creates her works. Chapter five is the conclusion. In this chapter, the author reviews and reflects on the gains throughout the course of conducting the study in hopes that they can serve as a foundation for her future advances in creation.