「穿越記憶碎片」旗津意象創作論述

中文摘要本創作研究是以旗津地區之風俗民情與人文景觀為主要創作論述對象，旗津在特殊地理環境下有著天然的漁港，也蘊育旗津特殊的離島文化，它反映了自然環境及歷史情境的特色。當地居民也在大海環抱中，充滿了無限的生命氣息與韌性，並孕育出真誠、自然、粗獷與刻苦的討海人性格，從他們的身上感受到質樸之美，這些都是筆者想要忠實描繪和探索的情境。筆者從關懷鄉土的情感思維，延伸至對生活經驗的體悟，希望自鄉土人文中追尋創作元素，和在生活美學的內涵中找尋創作表現之主題，並應用印象派寫實技法，來探究繪畫的形式、色彩與空間的自然與和諧，藉以發掘蘊含於漁村的視覺美感，以及突顯居民尋求安身立命的樂天與知命，以期賦予作品更豐富的內涵及生命力。本論文分為五個章節，茲將各章節之內容簡述如下：第一章、緒論：概述筆者研究的創作動機與目的，以及創作論述的研究方法，並對本文中所提及的特定名詞作說明。第二章、文獻探討：蒐集旗津地區相關的文史資料，探索特殊的地理、歷史及社會變遷等對旗後所產生的影響。追朔19世紀寫實主義繪畫的崛起與理論，和探討70年代興起之鄉土寫實對台灣本土繪畫的影響。除此也從藝術社會學的角度，探究社會主義的文藝發展及勞動價值，並援引前輩畫家描寫漁村圖象之精神意涵。第三章與第四章、創作理念與實踐及作品分析：筆者依據生活的體悟和美感的經驗來呈現作品意涵，題材取自對生活過程的追憶、漁港和現實人文景觀的變遷等，並融合個人的主觀感受加以描繪與實踐，期能以理性的思維與感性的色彩相互融合於旗津所蘊藏之意境。第五章、結論：本章節是筆者對於漁港描繪題材、內涵表現、及技法實踐上，作自我的省思與對未來的期許和展望之陳述與總結。筆者藉由作品的呈現，希望與更多人分享與認識這美麗漁港，並傳達內心對這邊陲小鎮的虔誠恭敬與人文關懷。

關鍵字

寫實；鄉土；人文；社會主義。

並列摘要

Abstract In this paper, the customs and cultural landscape of Cijin are the main creation objects. Cijin in the special geographical environment has a natural harbor; it also nurtures a special offshore island culture that reflects the natural environment and characteristics in a historical context. The local residents surrounded by the sea are full of vitality and strength. They demonstrate the qualities of people who make a living from the sea, including sincerity, naturalness, roughness and perseverance, as well as beauty of simplicity from within, all of which are what the author has attempted to describe and explore. The author has extended his sentiments and ideas of the homeland to gain an insight into his own life experiences. From the local cultures, he has sought elements for his creation; from the intrinsic content of living aesthetics, he has pursued themes for his creative expression. By applying the techniques of impressionism and realism, he has explored the forms of painting and the naturalness and harmony of color and space, through which he has discovered the visual aesthetics that the fishing villages have. In order to add content and life to his work, he has also highlighted the self-contented nature of the residents that yearn to settle down. This paper is divided into five sections. The contents of each section are briefly described as follows: Chapter 1 Introduction：An overview of the author’s motives and purposes, as well as the research methods of the discourse of the creation are covered. In addition, the specific terms mentioned in this paper are also explained. Chapter 2 Literature Review：The related historical data of Cijin area is collected to explore the impact of the unique geographical, historical and social changes on Cijin. The rise of realism paintings in the 19th century are also traced and the impact of the rise of local realism in the 70s on local paintings in Taiwan is discussed. In addition, from the perspectives of the Sociology of Art, the art development under socialism and the value of labor are also discussed to invoke the painters’ descriptions of the spirit and meaning of the fishing villages. Chapter 3 .4 Creation Theory and Practice & Work Analysis：The author has presented the work content based on how he perceives life and from his aesthetic experience. The subject matter is taken from his recollection of the process of life and the transformation of the fishing harbor and cultural landscapes. Moreover, he has integrated his subjective perceptions in the descriptions and practice, hoping to combine the rational thinking and emotional colors that lie deep within Cijin. Chapter 5 Conclusion ：This section covers descriptions and a summarized account of the author’s self-reflection of the fishing harbor subject matter, content expression and practical techniques, as well as his expectations for the future. The author hopes to, through the presentation of his works, share with more people the beautiful fishing harbor in order to convey his faith, respect and care for this border town.