「時空移痕」－劉崇鼎創作論述

退伍回到校園後，這段時間裡真實的感覺到與這個複雜而多元的世界有所接軌，也開始強烈關注自己身處的社會生活。拜科技與媒體發達之賜，很容易就能藉著網絡或電視參與並掌握社會脈動。在早期，人們生活的範疇較封閉保守，關注的層面往往只有自己生活的所在，而如今資訊暢通，社會開放幾近百無禁忌，能參與的話題也變得廣泛而辛辣；從政治人物的批判意識到檳榔西施的情色意味，都能成為討論焦點。近年來台灣社會現況的變動有很大部份的原因是與政治環境有關，特別是與對岸的互動方面（例如對岸政治人物訪台與大陸客來台消費），往往容易牽動人民敏感的神經，而造成各種社會事件。筆者試圖融入這些事件的情境中，用繪畫的方式再現並紀錄下這些歷史鏡頭。藉由關切身邊週遭的社會百態，作為本文創作的主題。本文分為六個章節；第一章的緒論記載了本論文的創作動機及目的，針對2008－2010年代筆者在研究所時期經歷的社會現象作簡要的闡述。第二章的文獻探討與圖像分析包涵了社會學運用於文藝創作所產生的各種相關論述、歷史辯證學家黑格爾將藝術與社會現象連繫成一種共同發展的必然理論。第三章的創作理念與實踐關注到2008年以來所發生的重大社會事件。並引用美術史上與本主題相關的畫家及畫作加以佐證。在第四章創作表現的手法中則試圖深入探究另一層次的意含，即暴力美學的可能性。最後則略述筆者創作作品所使用的媒材技法，探討畫面構成的步驟和方法。第五章為作品的解說與分析；第六章結論則欲透過本創作探究台灣各層次族群文化以及環境現況，並站在社會關懷的角度，關心自己生長的環境，提升心靈成長。關鍵字：寫實主義、社會現象、暴力美學、象徵主義、醜

關鍵字

寫實主義；社會現象；暴力美學；象徵主義；醜

並列摘要

In the period of time, from enlisting as a soldier to returning to the campus again, I start to realize I am touching the complex and multifaceted world, and also intensively pay attention to the society I live in. With the advance of technology and mass media, it is fairly easy to attend and follow the social trend through the Internet and televisions. In the early days, people lived in the relatively closed and conservative society, often concerning with their own life only. In contrast with the past, due to accessed information, combining with open and almost uninhibited society, the topics people can talk become wider and hotter. Topics from political criticism to negative eroticism are able to become popular. Recently a great part of the reason of changing status of Taiwan links with the political environment, especially cross-strait relations. For instance, visiting from politicians and tourists of Mainland China easily causes social events, affecting people's sensitive nerve. The author tried to integrate into the context of these events, with the way of painting, reproducing and recording the historic scene. Hope that through this concern around the surrounding social phenomena, people can enhance the understanding the land we grew up in, such as politics, economy and living environment, further to be self-vigilant. This study comprised of six chapters. Introduction of chapter one demonstrated the motivation and purpose of present study, which was a summary toward social phenomena that the researcher had experienced during 2008 to 2010.Literature review and graphic analysis of chapter two portrayed assortment of relative literature works that sociology was applied, an inevitable theory proposed by historic dialectician, Hegel, which connected art and social phenomena as mutual development. Objects and practices of present study of chapter three regarded major social events happened since 2008. And we quote the artists and paints in art history they are related to this topic to prove our research. Techniques in art performances of chapter four was attempted to probe into a further context, a possibility of aesthetic violence. The researcher also briefly described the material, procedures and techniques of scene composing. Chapter five included work explanation and analysis .In conclusion of chapter six, The researcher hoped that this study could look into various groups and situation in Taiwanese society in a view of social concern to draw more attention toward surrounding environment and soul promotion in Taiwan. Key words: realism, social phenomena, aesthetic violence, symbolism, ugly