複 語 —廖苡秀創作論述

摘要  本論文主要探究個人研究所時期之創作，以「重複」為主題，思考創作的形式與手法。由自我挖掘探究至與他者產生連結；從纖維媒材到空間裝置，最後擴展至社區藝術。透過創作歷程之爬梳，與研究藝術家之對話，進一步調整自身的創作，並理念以展覽付諸實踐，整合討論「重複」之於創作的意義與內涵。內容包含六個章節，第一章〈緒論〉闡明本論文之創作論述，並介紹研究動機與目的、研究方法及研究內容，以了解作品主要創作概論。第二章〈源起〉溯及個人創作之源頭，由2012年至2014年間，個人創作初期作品開始，找尋作品的重複主題與手法緣由並進行分析。第三章〈「重複」中再現的自我〉分析2015年至2016年間，個人與自我童年對話的作品，藉由重返記憶與情緒移轉兩部分，進一步找尋「重複」之於自我創作的意義。第四章〈「重複」中連結的他者〉再次以2015年至2016年的作品進行分析，從自我延異至他者的創作思考，產生關係所製作對話性的社區藝術作品。第五章〈創作調整〉透過裝置藝術和社區藝術作品的對話，回應調整作品的創作脈絡，觀察學習後反思修正自己的作品，並於展覽場域進行實踐。第六章〈結論〉總結「重複」之於作品的意涵、「語言」之於個人及面對他人的對話文本，以及對「複語」的整理與歸納，期許自己以此論文為根基，讓未來創作方向更加精準與明確。關鍵字：重複、情緒、記憶、空間裝置、社區藝術

關鍵字

重複；情緒；記憶；空間裝置；社區藝術

並列摘要

Abstract  The main purpose of the present study is to examine the work created by the author in graduate school, taking “ reproduction” as the theme, and reflecting on the forms and methods of artistic creation. It charts a development from self-discovery and self-exploration to the forging of links with others, and from the use of fiber-based media to spatial installations, which is finally extended to encompass community art. Through this clarification of the course of the author’s artistic development, and through dialog with other researchers and artists, the author is able to realize a further adjustment of the author’s own artistic creation, putting this into practice in the practical form of an exhibition, and is able to undertake an integrated discussion of the significance and meaning of “ reproduction” in relation to creative activity. The paper comprises six chapters. Chapter One (Introduction) outlines the creative discourse underpinning this study, and describes the motivation for the research, the research goals, the research methodology and the research content, so as to clarify the creative concepts behind the author’s work. Chapter Two (Background) traces the origins of the author’s creative work, starting from the period 2012 – 2014 when the author was beginning to develop a personal creative style, and seeking to identify and analyze the repeated themes in the author’s work and the origins of the artistic methods used. Chapter Three (Recreation of the Self in “ Reproduction”) analyzes works created during the period 2015 – 2016 that represented a dialog with the author’s own childhood, using a reexamination of memory and emotional transference to further explore the significance of reproduction in the author’s work. Chapter Four (Linkage with Others through “ Reproduction”) presents further analysis of the author’s work from the 2015 – 2016 time frame, moving beyond the self to consider the creative thinking of others, and examining the dialog-oriented community art works created through this relationship with others. Chapter Five (Adjustment of Works) examines how the dialog between installation art and community artworks can be used to bring about an adjustment in the creative context for an artist’s work, showing how the author was able to make revisions to the author’s own art after a process of observation and learning, and then put this adjustment into practice in the form of an exhibition. Chapter Six (Conclusions) summarizes the significance of “ reproduction” for the author’s work, examines the role played by “language” both for the author individually and in the dialog “text” linking the author with others, and undertakes a collation and summarizing of the “compound.” This chapter also outlines the way in which the author aims to make the present study the foundation for achieving greater precision and clarity in future artistic creation. Keywords: reproduction; emotion; memory; spatial installations; community art