臺灣流行歌謠中的音景空間研究

臺灣歷經了多少時代的巨變、多少的深刻傷痕，去日本化，再中國化的洗禮，我們在臺灣音樂歌謠中都可以聽見並體會；1895年中日簽訂馬關條約，臺灣開始了為期五十年的日治時代，1905年7月新店龜山水力發電所完工，供電台北城內、艋舺及大稻埕地區，因為有了電力系統為台灣帶來了更文明的生活與經濟的穩定，人們滿足了對食衣住行的基本需求，開始重視教育與追求時尚生活的娛樂，唱片、電影、廣播三者互相影響並逐漸興盛，反映出社會經濟的繁榮與時代文化的進步，1932年第一部創作流行歌謠「桃花泣血記」的誕生，更開始了多首著名的創作流行歌謠陸續傳唱問世。臺灣流行歌謠的興起，與當時社會的歷史背景有著密不可分的關聯性，就歌詞的內容來看，歌詞內常有表達不同族群或是一般老百姓的心聲、反映出時代空間的變遷，甚至紀錄了臺灣人對自身土地、國家社會的認同意識等，歌詞中承載了集體的意識符號更濃縮著臺灣社會現象。本文嘗試以歌謠內的歌詞做為文本分析的對象，並利用都市社會學的音景（Soundscape）為概念，將歌詞內所建構的視覺空間加以闡述，找出臺灣不同時期的空間記憶，並將不同時期的臺灣流行歌謠中所描述的空間做對比找出其空間變遷脈絡。

關鍵字

臺灣歌謠；空間記憶；歷史空間；空間變遷；聲音地景；音景

並列摘要

Taiwan has experienced various changes and challenges over time, such as de-Japanisation and re-Sinicisation, both of which reflected in Taiwan’s music and songs. The Treaty of Shimonoseki signed between China and Japan in 1895 marked the start of Japan’s 50-year rule of Taiwan. In July 1905, the completion of Guishan Hydroelectric Power Plant in Xindian enabled the supply of electricity to Monga and Dadaocheng of Taipei City. The power system ushered in a civilized lifestyle and economic stability. After meeting their basic needs for food, clothing, housing, and transportation, Taiwanese people began paying attention to education and entertainment in pursuit of a more fulfilling life. At the time, records, movies, and radio broadcasting simultaneously affected one another and gradually prospered, signifying social prosperity and cultural progress over time. After the release of Taiwan’s first creative popular song entitled The Peach Girl in 1932, more well-known creative popular songs were created subsequently. The rise of Taiwan’s popular songs was closely related to the historical background of its society at the time. The lyrics of these songs often express true feelings of various ethnic groups or the general public, reflect temporal and spatial changes, and even epitomise Taiwanese people’s identification with their own land and nation. Exuding collective consciousness, the lyrics of Taiwan’s popular songs represent a miniature of social phenomena in Taiwan. This study attempted to conduct textual analysis of the lyrics to Taiwan’s popular songs. Soundscape, a concept of urban sociology, was used to elaborate on the visual spaces constructed by the lyrics and to reactivate the spatial memory of Taiwan in each period. The spaces described in Taiwan’s popular songs from various periods were compared to determine the context of spatial changes.