清才自撰蕉園史－清初閨秀、結社與性別書寫

論文名稱：《清才自撰蕉園史－清初閨秀、結社與性別書寫》校院系：國立暨南國際大學人文學院中國語文學系頁數：350 畢業時間：101年 7月學位別：中國語文學系碩士研究生：邱芸怡指導教授：楊玉成論文摘要清康熙十五年，蕉園女性詩社成立。早期對此詩社研究不多，直到二十一世紀一0年代漸漸受到關注。明末清初由於女作家對文本存毀觀念的轉變、內言不出閫的突破與超越，又在杭州女性文人雲集等文化的氛圍感染下，顧之瓊召集家族姻婭及親友組成蕉園詩社。諸子承繼晚明以來香匲聯吟盛事，支持女性創作與出版，有意識的展現自我，具有傳播的意味。閨秀籌組詩社無論是在文學發展史或是社會文化上都具有重要的意義。本論文研究除根據諸子出版文集外亦蒐集視覺性的書畫作品。站在性別研究的視野，聚焦於蕉園諸子的形象、結社和書寫。當學界對詩社稱名、地點、蕉園五子、七子代表人物各有不同解讀，嘗試透過徐燦、錢鳳綸、林以寧等文本，參酌其它成員的選輯和相關方志文獻提出說明與釐清。諸子的書寫包括妝的描繪、提出對歷史女性經典人物的看法，母親的主題傳達性別意識的底蘊，乃至於關照社會上非主流階層的女性，又以詩為傳，表達傳世的想法，描述日常生活瑣細事，具體的呈現閨秀生活的面貌。諸子的創作時而流露對佛教的接觸、彼此詩文酬唱、參與詩社藝文活動、出遊玩賞建立深厚情誼。同時諸子積極投入出版商邀集女文人共同閱讀評點戲曲創作，傳達戲曲文學中的女性意識。詩社的聚會提供諸子分享創作、生活的經驗與心靈的交流，以群體的方式展露文學的聲音。筆者藉由詩社諸子不同的創作文體希望呈現多元化的面向。關鍵字：閨秀文學、性別研究、蕉園詩社、蕉園五子、林以寧、錢鳳綸

關鍵字

閨秀文學；性別研究；蕉園詩社；蕉園五子；林以寧；錢鳳綸

並列摘要

Title of Thesis：A Talented Scholar of the Qing Writing the History of Jiao–Yuan: The Female Talented in the Early Qing Dynasty, their Associations and Gender Writing Name of Institute：Department of Chinese Languages and Literature,College of Humanities - National Chi Nan University Pages：350 Graduation Time：July, 2012 Degree Conferred：Master Student Name：Yun Yi Chiu Advisor Name：Yu Cheng Yang Abstract In the 15th year of Emperor Kangxi’s reign of the Qing Dynasty, Banana Garden Women’s Poetry Club (Jiaoyuan Poetry Club) was formed. In the early days, studies on this poetry club were not many. It was not until the first 10 years of the 21st century that this club gradually got public attention. During the late Ming and early Qing Dynasties, female writers changed their points of view on whether their writings should be kept or destroyed. Also there was a breakthrough in the general concept that women’s talks should be kept inside women’s quarters and should not be heard outside. Hence under the cultural atmosphere of female writers converging in Hangzhou, Gu Zhi Qiong gathered her relatives and friends together and established Banana Garden Women’s Poetry Club. These female writers followed the great poetry events in the late Ming Dynasty, supported women’s creative writing and publishing and purposely presented themselves for publicity. Women of inner chambers establishing a poetry club had signicant meanings either in the history of literature development or in social culture. The essay is not only based upon the published corpora of the key poetesses, but visual works such as calligraphy and painting are also compiled. Focus is put on the image, literary association and writings of the key poetesses of Banana Garden (Jiaoyuan) from the perspective of gender study. As the academic world has had varied interpretations of the name and location of the literary association, as well as the representatives of the five or seven key poetesses of Banana Garden, the essay attempts to offer a description and clarification based on the text by Xu Can, Qian Fenglun and Lin Yining, etc., and also referencing and considering the selected works of other members and the related local chronicles and literature. Writings by the key poetesses include the description of make-up, presentation of their view of legendary female characters in history, the theme of mother that communicates the essence of gender consciousness, and even acknowledgement of some non-mainstream women in the society. They expressed their lasting opinions by means of poems, describing trivia in their daily life, and giving detailed presentation of aspects of the prominent maidens’ life. Literary works of the key poetesses revealed their contact with Buddhism, the poetry interaction with each other, their participation in literary and artistic activities of the literary association, and their outdoor trips, through which profound friendship were established. In addition, the key poetesses were also actively involved in the collective female literati’s drama commentary work upon the publisher’s invitation, to convey the female consciousness in drama literature. Gatherings of the literary association offer opportunities for the key poetesses to share their literary works, life experiences and spiritual exchanges, making their literary voices heard in a collective way. The author expects to present the multifarious perspectives of the key poetesses’ works in the literary association by their different literary forms and styles. Keywords: Maiden literature, gender study, Banana Garden (Jiaoyuan) Poetry Club, the five key poetesses of Jiaoyuan, Lin Yining, Qian Fenglun Title of Thesis：A Talented Scholar of the Qing Writing the History of Jiao–Yuan: The Female Talented in the Early Qing Dynasty, their Associations and Gender Writing Name of Institute：Department of Chinese Languages and Literature,College of Humanities - National Chi Nan University Pages：350 Graduation Time：July, 2012 Degree Conferred：Master Student Name：Yun Yi Chiu Advisor Name：Yu Cheng Yang Abstract In the 15th year of Emperor Kangxi’s reign of the Qing Dynasty, Banana Garden Women’s Poetry Club (Jiaoyuan Poetry Club) was formed. In the early days, studies on this poetry club were not many. It was not until the first 10 years of the 21st century that this club gradually got public attention. During the late Ming and early Qing Dynasties, female writers changed their points of view on whether their writings should be kept or destroyed. Also there was a breakthrough in the general concept that women’s talks should be kept inside women’s quarters and should not be heard outside. Hence under the cultural atmosphere of female writers converging in Hangzhou, Gu Zhi Qiong gathered her relatives and friends together and established Banana Garden Women’s Poetry Club. These female writers followed the great poetry events in the late Ming Dynasty, supported women’s creative writing and publishing and purposely presented themselves for publicity. Women of inner chambers establishing a poetry club had signicant meanings either in the history of literature development or in social culture. The essay is not only based upon the published corpora of the key poetesses, but visual works such as calligraphy and painting are also compiled. Focus is put on the image, literary association and writings of the key poetesses of Banana Garden (Jiaoyuan) from the perspective of gender study. As the academic world has had varied interpretations of the name and location of the literary association, as well as the representatives of the five or seven key poetesses of Banana Garden, the essay attempts to offer a description and clarification based on the text by Xu Can, Qian Fenglun and Lin Yining, etc., and also referencing and considering the selected works of other members and the related local chronicles and literature. Writings by the key poetesses include the description of make-up, presentation of their view of legendary female characters in history, the theme of mother that communicates the essence of gender consciousness, and even acknowledgement of some non-mainstream women in the society. They expressed their lasting opinions by means of poems, describing trivia in their daily life, and giving detailed presentation of aspects of the prominent maidens’ life. Literary works of the key poetesses revealed their contact with Buddhism, the poetry interaction with each other, their participation in literary and artistic activities of the literary association, and their outdoor trips, through which profound friendship were established. In addition, the key poetesses were also actively involved in the collective female literati’s drama commentary work upon the publisher’s invitation, to convey the female consciousness in drama literature. Gatherings of the literary association offer opportunities for the key poetesses to share their literary works, life experiences and spiritual exchanges, making their literary voices heard in a collective way. The author expects to present the multifarious perspectives of the key poetesses’ works in the literary association by their different literary forms and styles. Keywords: Maiden literature, gender study, Banana Garden (Jiaoyuan) Poetry Club, the five key poetesses of Jiaoyuan, Lin Yining, Qian Fenglun Title of Thesis：A Talented Scholar of the Qing Writing the History of Jiao–Yuan: The Female Talented in the Early Qing Dynasty, their Associations and Gender Writing Name of Institute：Department of Chinese Languages and Literature,College of Humanities - National Chi Nan University Pages：350 Graduation Time：July, 2012 Degree Conferred：Master Student Name：Yun Yi Chiu Advisor Name：Yu Cheng Yang Abstract In the 15th year of Emperor Kangxi’s reign of the Qing Dynasty, Banana Garden Women’s Poetry Club (Jiaoyuan Poetry Club) was formed. In the early days, studies on this poetry club were not many. It was not until the first 10 years of the 21st century that this club gradually got public attention. During the late Ming and early Qing Dynasties, female writers changed their points of view on whether their writings should be kept or destroyed. Also there was a breakthrough in the general concept that women’s talks should be kept inside women’s quarters and should not be heard outside. Hence under the cultural atmosphere of female writers converging in Hangzhou, Gu Zhi Qiong gathered her relatives and friends together and established Banana Garden Women’s Poetry Club. These female writers followed the great poetry events in the late Ming Dynasty, supported women’s creative writing and publishing and purposely presented themselves for publicity. Women of inner chambers establishing a poetry club had signicant meanings either in the history of literature development or in social culture. The essay is not only based upon the published corpora of the key poetesses, but visual works such as calligraphy and painting are also compiled. Focus is put on the image, literary association and writings of the key poetesses of Banana Garden (Jiaoyuan) from the perspective of gender study. As the academic world has had varied interpretations of the name and location of the literary association, as well as the representatives of the five or seven key poetesses of Banana Garden, the essay attempts to offer a description and clarification based on the text by Xu Can, Qian Fenglun and Lin Yining, etc., and also referencing and considering the selected works of other members and the related local chronicles and literature. Writings by the key poetesses include the description of make-up, presentation of their view of legendary female characters in history, the theme of mother that communicates the essence of gender consciousness, and even acknowledgement of some non-mainstream women in the society. They expressed their lasting opinions by means of poems, describing trivia in their daily life, and giving detailed presentation of aspects of the prominent maidens’ life. Literary works of the key poetesses revealed their contact with Buddhism, the poetry interaction with each other, their participation in literary and artistic activities of the literary association, and their outdoor trips, through which profound friendship were established. In addition, the key poetesses were also actively involved in the collective female literati’s drama commentary work upon the publisher’s invitation, to convey the female consciousness in drama literature. Gatherings of the literary association offer opportunities for the key poetesses to share their literary works, life experiences and spiritual exchanges, making their literary voices heard in a collective way. The author expects to present the multifarious perspectives of the key poetesses’ works in the literary association by their different literary forms and styles. Keywords: Maiden literature, gender study, Banana Garden (Jiaoyuan) Poetry Club, the five key poetesses of Jiaoyuan, Lin Yining, Qian Fenglun