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  • 學位論文

尋找心方向── 以耀演中文音樂劇《喜樂社區》之女主角郝美麗為例 談中文音樂劇之女主角之角色分析與塑造

Seeking the Direction of Heart-- Character Analysis and Creation of Leading Actress in a Chinese Musical – Hao Mei-li in “Just Like A Family” by VM Theatre Company as an example.

指導教授 : 梁志民
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摘要


音樂劇的表演形式在台灣倍受歡迎,每個劇團都紛紛想要製作音樂 劇。然而,音樂劇對演員是一種考驗,演員須具備相當的能力:戲好、歌好、肢體好,才能符合導演的要求。本論文以在臺灣從事製作與演出的劇團之範疇內,挑選《耀演》中文音樂劇《喜樂社區》女主角郝美麗之歌曲做為呈現。並從此劇的文本分析中了解女主角在此劇中的定位,及在此劇中和其他角色的關係,且從文本當中找尋郝美麗性格的線索。此外更撰寫角色自傳來建立角色的家庭背景,尋找圖片來刻畫角色的樣貌。同時,也思考角色的服裝與姿態來增強角色外在給人的印象。最後,以短劇的方式呈現郝美麗在《喜樂社區》劇中的歌曲,藉由六首曲子,分別是:《小鹿》、《愛的混成曲》、《怎麼會這樣》、《愛情真的來了》、《他是風而我是花》、《原諒》,來呈現郝美麗在此劇中與男主角曾成功從一見鍾情、曖昧、戀愛、誤會又回到相戀的過程。並且探討歌曲中演唱詮釋、內心潛台詞與音樂輔助歌曲之氛圍。

關鍵字

角色詮釋 耀演 喜樂社區 音樂劇

並列摘要


Musical has become a very popular performing form in Taiwan and all the theatre companies want to produce musical nowadays. However, musical presents a unique challenge for actors and actress. To achieve directors’ expectations, they need to be capable of good acting, good singing, and good physical movement. Aiming at the theatre companies that produce and perform in Taiwan area, this thesis selects “Just Like A Family” by VM Theatre Company as an example. And choose the songs of leading actress, Hao Mei-li, for presentation. Through the script analysis the thesis attempts to: find the position of leading actress in this play; realize the relationship between Hao Mei-li and other characters; and discover the clue of Hao Mei-li’s personality. In addition, the thesis contains a character autobiography to build up the family background of Hao Mei-li; finding pictures to depict the appearance of this character; and study on the costume and posture and gesture of Hao Mei-li to make this character more impressive. My presentation will be performed by short drama, and I have selected six major songs of Hao Mei-li in “Just Like A Family.” The songs are respectively: “Fawn”, “Mix Tap”, “How Can It Be”, “The True Love does Come”, “He’s the Wind, and I’m the Flower” and “Forgiveness” to present the evolution of the relationship of Hao Mei-li and Ceng Cheng Gong. Their journey is from love at first sight to ambiguous, to falling in love, to misunderstanding, and finally end up in happy ending. This thesis will investigate the interpretation of songs, subtext of characters, and the relationship between music and ambiance of the songs.

參考文獻


王潤婷。〈從西方音樂劇的歷史與特質看台灣音樂劇的發展〉。《藝術學報》。第78期 (四月號,2006)。
陳依婷。〈鍾耀光的台灣音樂劇《梁祝》:創作理念、素材與形式〉。台北藝術大學音樂學研究所碩士班,2009。
張仰瑄。〈白色山茶花的盛開-以音樂劇《費加洛婚禮》伯爵夫人角色詮釋為例談中文音樂劇表演〉。台北藝術大學劇場藝術研究所表演組,2009。
Broadway: The American Musical〈紐約‧星光‧百老匯〉Andrews, Julie, Host.; Fields, Marc, Kantor, Michael, Maslon, Laurence, Writer.; Liem, Kris, Editor.; Dupre, Jeff, Kantor, Michael, Rosenthal, Sally, Producer.; Kantor, Michael, Director. DVD1, 2, 3, 2006.
程鈺婷。<《芝加哥》一齣概念式音樂劇的實踐>。國立台北藝術大學劇場藝術研究所表演藝術碩士畢業製作展演說明,2005。

被引用紀錄


王悅甄(2013)。從死亡中看見希望——台灣原創中文音樂劇的生命視野〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2013.00257

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