1999年澳門回歸中國,澳門文化中心為澳門回歸交接儀式場地之一,回歸後為目前澳門擁有最專業表演設備之展演場館,多年來不但為澳門表演藝術提供展演平台,同時亦為澳門製作優質的藝術節目及藝術教育課程。 本研究是從城市經濟發展角度出發,從臺北、香港及澳門三地之經濟增長模式作討論基礎,於討論的過程中找出三地經濟與表演藝術市場之間的關聯及差異,從而比較三地表演藝術市場之成熟度,然後切入臺灣與香港重要之演出場地:國立中正文化文心及香港文化中心,了解其運作及經營方式,與本研究之案例,澳門藝術市場及澳門文化中心社會特質作比較,深入研究三地文化中心的歷史背景、社會角色功能、管理及經營模式。 研究過程將收集文獻研究、經濟和表演藝術相關之統計數據及與澳門文化中心管理人員及地方表演藝術團體進行訪談,經過資料統合與彙整後,於結論中對個案-澳門文化中心,提出經營管理、社會定位及未來發展之建議,供政府、相關文化單位或人員及研究作執行評估時之參考。
As Macao regressed into China in 1999, the Macao Cultural Centre was one of the venues for handover ceremony; after the regression, Macao now has become an exhibition hall possessing the most professional performing outfits. In recent years, it has not only provided a stage for performing arts, but also produced the equality arts shows and artistic education courses for Macao. This study is starting from the angle of city’s economic development, and taking the economic enhancement among Taiwan, Hong Kong, and Macao as a discussing foundation. In the process of discussion, it locates the connection and discrepancy between the three-city economics and the performing arts market, compare its market maturity, and finally return to the important performing venues located at Taiwan and Hong Kong. It is not only trying to realize the operational manners of the “National Theater Concert Hall” and “Hong Kong Cultural Centre”, but also comparing the social characteristics of “Macao Art Market” and “Macao Cultural Centre”, so as to research deeply on historical background, social role function, and administrating and operating model of the Cultural Centres located in Taiwan, Hong Kong, and Macao. In the studying process, it has collected all statistic data in respect of references research, economics, and performing arts, and interviewed the administrators of “Macao Cultural Centre and the local performing groups. In the conclusion, after integration and compilation of the information, it aiming at an individual case---Macao Culture Centre, submit a propose in terms of managing administration, social orientation, and oncoming development to the government, cultural authority, or research institute who is executing an assessment for references.