從琴園國樂團【中國竹笛名家名曲系列】音樂會探討兩岸交流對臺灣笛子演奏藝術之影響

兩岸因地域、人文背景不同，加上長時間隔絕的因素，各自發展出不同的笛子藝術型態；臺灣開放兩岸交流後，大量引進大陸笛子演奏家、風格曲目與演奏技巧，因此對臺灣笛子演奏藝術產生極大的變化，影響層面甚廣，促使臺灣演奏程度大幅提升。琴園國樂團舉辦【中國竹笛名家名曲系列】音樂會為兩岸交流後對臺灣笛子演奏藝術影響主要因素之一，此音樂會活動，長期以來具系統性及全面性匯集大陸各地方、流派的代表性笛子演奏家到臺灣呈現其音樂特色，因此開啟臺灣笛壇對於主流與非主流流派笛子風格的全面性了解，並成為臺灣與大陸笛子藝術溝通的媒介。近年臺灣開始重視本地音樂作品的發展，期盼此研究能有助於釐清臺灣笛子演奏藝術未來發展方向，進而發展出一套具台灣音樂特色的笛子演奏藝術。

關鍵字

笛子；兩岸交流；琴園國樂團；【中國竹笛名家名曲系列】音樂會

並列摘要

Due to the different backgrounds and the long-time deadlock, Taiwan and Mainland China develops distinctive performing arts of Di individually. After the cross-strait was allowed to communicate, numerous Chinese Di performers were introduced into Taiwan, bringing pieces in different styles and performing skills in the same time, making great influences on the performing arts of Di in Taiwan, and even elevating the performing level to a certain degree. The “Masterpieces of Di” Series Concerts held by Chin-yuan Chinese Orchestra have done continuously influences on the Di performing arts in Taiwan. This series has systematically and comprehensively invited representative Di performers from different schools to Taiwan, introducing diverse Di performing arts to the field of Di in Taiwan, and become the bridge between Taiwan and Mainland China. 　Recently, People in Taiwan start to put the emphases on the development of Taiwanese compositions. The research is expected to help figure out the future direction of Di performing arts in Taiwan and further form a characteristics Di performing arts with musical traits of Taiwan.