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  • 學位論文

駐村藝術家作品的城市意象研究-以台北國際藝術進駐計畫為例

Research on Relationship between City Image and Works of Artist-In-Residence-Focus on A.I.R. Taipei

指導教授 : 潘襎
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摘要


無論被稱為地方或場所,每個人都會意識到和我們從出生到長大 、目前生活或曾經有過特殊動人體驗的場所,並與之具有深刻的聯繫。這種方式產生的聯繫構成了個人與文化認同、地方認同的來源;而場所有各式各樣的經驗現象,檢視這些不同場所的性質,像是地點、地景、時間或社區與個人的關聯性,意象或評價的產生本於我們對場所的經驗程度而來,一個地方的意象也得以由此顯現出來。 從一個城市文化的角度出發,透過藝術作為人與人、國家之間的交流中介,也可由藝術村觀察當代藝術的動向,觀察藝術家進駐城市,如何建構出多面向與頻繁交流的平台,而文化交流需是雙向、對等以及互動性的,跨文化也使得不同國家的民眾、藝術家有所接觸,進而認識、了解、互相影響,認識之後進而懂得如何尊重不同文化的差異,而藝術是促進國際交流,一個可以跨越藩籬很好的媒介。 本研究將探討面向鎖定藝術進駐的城市意象主題上,透過質化與量化的研究方法,並將章節探討分列三大主題:一、城市中的藝術聚落─台北藝術進駐的形成與變遷、藝術家生活在藝術村中的角色扮演及調查藝術家眼中的城市意象。二、以訪談藝術家進駐過程及探討表現創作意涵,探討藝術家這類城市空間的漫遊者在與台北這個城市空氣吸吐及互動過程中,驗證其作品連結城市意象之間的關聯性;三、藝術村作為一交流平台功能,如何藉著與台北都市空間結合,從創作中注入在地社會文化的樣貌,進而發展出來的城市意象。從藝術家的創作內容中探討城市意象的形成,且當一個都市有好的意象時,居民將會因其為都市的一份子而感覺驕傲及認同,並且進而提升該都市之城市意象。最後則針對主題提出研究成果、研究發現及提供後續研究方向及需要改進之處。

並列摘要


Place or occasion, everyone is conscious of the occasions with his/her extraordinary and touching experiences from birth to maturity, in current life, or once in the past, and has a keen affinity with it. Affinities formed through such ways generate the source that an individual identifies with culture and place. As for occasion, it is rich of various kinds of experiences and phenomena, like association between an individual and site, landscape, time, or community. Image or evaluation comes from the degree we experience the occasion; as a result, the image of a place is manifested by this way. From the angle of the urban culture, art serves as the communicative medium between human and human/country. Besides, we can observe the tendency of modern art via artist-in-residence. We can also learn how the artist constructs multidimensional platform with frequent communication by artist-in-residence programme. Cultural communication has to be bi-directional, equal and interactive. Cross-culture allows citizens and artists in different countries have the opportunity for contact. They may go further to know, understand, and influence one another, learning how to respect the diversity in various cultures. Art can foster international communication, and is an excellent medium to stride over fence. This research focuses on the city image with artist-in-residence. By qualitative and quantitative approaches, the research content is categorized into three sections: 1. The artistic clusters in the city-- formation and changes of A.I.R. Taipei, the role of artist’s life in the art village, and the survey of the city image in the artist’s eyes. 2. Discuss representation of implication of creation by interviewing the artists. Besides, in the process of the artist as flaneur of urban space to breathe the air in Taipei and interact with Taipei, the relation between the artist’s work and the city image is verified. 3. How art village with communicative function integrates with urban space in Taipei for instilling local social culture into creative works and developing city image. This research canvasses the formation of city image with the artist’s creative content. Once a city possesses a good image, the residents can be proud of being part of it, identified with it, and go further to elevate the urban image of the city. Finally, according to the subjects, the research results and findings are proposed, and what needs to be improved and strengthened is also pointed out for the following studies in the future.

參考文獻


王志弘,〈台北市文化治理的性質與轉變1967-2001〉,《台灣社會研究雜誌社》,52期,2003年,頁121-169。
蘇揚期、王柏山,「地方感」研究觀點的探討─從人本主義地理學、行為地理學到都市意象學派。社會科教育研究,10期,2005年,頁109-136。
莊玟琦、邱上嘉,〈都市空間意象探討〉,《設計研究》, 4 期,2004年,116-127頁。
Calvino, Italo. Invisible City. NewYork and London, 1974.
Dichter, E. What’s in an image, The Journal of Consumer Marketing, 2, 1985, p. 75-81.

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