差異．瞬間．片段 — 都市意象水墨創作探討

本研究從空間之意涵再思考出發，由都市計畫者在Gordon Cullen的序列視景（serial vision）概念思考下所描述出來的都市行走經驗，發現現代化理性介入都市空間建造之盲點，反思身為都市生活的居住者，我所認為的都市真正樣貌是什麼？由此一出發點，進而探討都市這個作為我們日常生活的新興場域，以昂希.列婓伏爾（Henri Lefebvre）的空間三元論與觀看方式意義的重新思考，試圖消除二元辯證在空間思考所產生的迷思將都市空間之特性與意義，以空間與空間之關係重新剖析，並以自我對各個空間特質的再詮釋，探討都市空間作為現代化理性與歷史生活性的新與舊交界場域，其中因新舊併置所產生的差異及片段性，與空間上因差異所產生的視覺瞬間性特徵，再由自身永和迷路經驗，觀看現代性與生活模糊性造成空間的差異現象，與都更場域中空間之差異併置與意義建構，希望藉由此一觀察出發，尋求都市場域中更多元性的瞬間性觀察與表現。由重新觀看空間之意義後，由「不確定」創作概念下之意義，就三個面向來進行闡釋，（一）藝術表現都市文化之模糊交雜性的邊界意象上，來說明「不確定性」在創作中的意義性。（二）自我生命情境上邊界的消失與拓展面向，探析「不確定性」模式對我之意義。（三）就不確定邊界概念下檢視自我體感的重生，剖析創作的所意圖達到的主體性。之後建構「不確定」創作模式的層面中，以（一）異質的衝撞。（二）圖象的裂解。（三）整體結構的破除。三個概念來因應，由題材、繪畫材料、繪畫手法的重新思考，藉由裱貼、圖像轉化、異質介入、畫面結構的營造…等創作方法來達到「不確定」性創作模式概念所欲呈現之效果；一種不確定感的營造。由這系列的創作及論述表達一種以「差異．片段．瞬間」角度下，「不確定」概念及創作模式的進行，作為自我認識世界的角度，一種我與環境對話的過程。

關鍵字

都市觀看；差異；片段化；空間瞬間性；不確定

並列摘要

This research rethinks the meaning of space using the concept of serial vision by urban planner Gordon Cullen, who described the experience of a city walk and the discovery of blind spots that resulted from the intrusion of modern rationality into urban space construction. As an urban dweller, how do I redefine the true face of a city? I began to explore this bustling urban territory which is a part of our daily lives. Using Henri Lefebvre’s triad of space to reevaluate perceptual meaning, I attempted to dispel myths that resulted from dualistic thinking of space, and used the relationship between spaces to re-dissect the characteristics and significance of urban space. In addition, I reinterpreted my personal understanding of different spatial features and explored urban space as the field border between new modernized rationality and old historical living. The coexistence of new and old results in incongruity and fragmentariness, and spatial incongruity produces the faces of visual transiency. Then using my personal experience of being lost in Yong-he, I explored how modernity and ambiguous living result in spatial incongruity, and how spatial incongruities in urban field transformation coexist and define meaning. Based on these observations, I hope to discover more pluralistic perception and manifestation of transiency in the urban field. Having redefined space, interpretation based on the concept of uncertainty in creative work is made through three methods: (1) using art to manifest the ambiguous medley of boundary icons in urban culture to explain the significance of uncertainty in creative works; (2) using personal loss and expansion of boundary to evaluate personal significance of uncertainty; and (3) dissecting the subjectivity that a creative work hopes to express regarding the importance of self experience of uncertain boundary. Then within the uncertainty approach to creative work, the following are constructed: (1) conflict of incongruity, (2) fracture of icon, and (3) disintegration of overall structure. To address these three constructs, subject matter, painting medium and painting methods are reconsidered. In addition, creative methods such as mounting, image conversion, heterogeneous intervention and construction of picture structures are used to express the effects of uncertainty in creative works, namely a feeling of ambiguity. Using the perspective of “Incongruity, Fragmentariness, Transiency” to gain personal awareness of the world, this series of creative works and discourse expresses the progression of uncertainty concept and creative model, and it represents a dialogue between myself and the environment.