本創作研究,經由文獻探討影像在現代視覺傳達設計領域中所扮演的角色,利用影像合成的基礎技法,歷經操作實驗,用於表現以台灣意象為創作主題,驗證現代視覺傳達設計的理論與影像合成實務之均衡發展。 本論文在第一章緒論中詳述創作研究之動機、目的、方法及研究的範圍與限制,第二章為文獻探討,第三章為創作研究之實施與過程,第四章為創作研究的經過與作品說明,第五章為結論,第六章為檢討與建議。 本論文亦企圖透過影像合成的基礎技法,闡揚現代視覺傳達設計,應以能圓滿達成傳達訴求主題的任務為要;講求簡潔、明確的畫面編排,且具現代視覺美感的構成為要旨,扭轉初學者與部分教學者,對影像合成的表現技法,以能操弄複雜的影像合成特效為自傲,棄現代視覺傳達設計之初衷於不顧的偏頗論調。
This study is, by means of document, to probe into the image role to play in modern visual communication design realm. Using the techniques of photomontage as well as experiencing them are to express the creative motif of Taiwanese artistic conception and to verify the theory of modern visual communication design and the balance development of photomontage pragmatism. The purpose of this thesis is to carry forward the modern visual communication design and to penetrate the basic technique of photomontage. To achieve the motif of visual communication design, to be succinct for the image spacing arrangement and to tinge with the aesthetic perception are the critical missions. For the beginners and some teaching staffs to convert their prejudice into easily operating the complicated photomontage arrangement is also the critical mission.