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  • 學位論文

寫意水墨表現於設計應用之研究

指導教授 : 吳千華
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摘要


水墨畫是一純藝術的創作表現形式,其技法所產生的墨暈效果,另有一股內蘊的意境與美感形式的表現,深富民族特質,呈現著東方特有的美學典型。 由於近年來國際間吹起中國熱,水墨畫頓時倍受重視。如何將更具箇人特質的徒手繪畫表現技法-寫意水墨表現應用在設計上?成為個人探討設計創作的主體研究骨幹。 結合電腦繪圖的應用,使原來以具象形態為主的寫意水墨畫,經過電腦選取局部、格放、抽離後,產生抽象的意涵。再加上異次元的景象,達到「似而不似,不似而似」之間的情境,猶如進入視覺的「新桃花源」,創造出新的視覺意象,以月曆、海報製作,呈現更富藝術性與裝飾性的設計風格表現,期盼能在國際視覺設計的舞台上,開創出新的里程碑。 關鍵字:寫意水墨 電腦繪圖 視覺設計(月曆、海報)

並列摘要


The Study of Application of Impressionist Ink-Painting to Design Rong-Yin Liu Ink-painting is a creative form of pure art. Special technique of this painting often displays the effect of ink-halo, which contains implicit ambience and fine character of subjects. The painting reflects the distinction of Chinese nation and also shows special features of oriental fine art. Since most recent time the “Chinese culture” gradually prevails in the international community, ink-painting has been made conspicuous. How does one carry freehand drawing presentation with designated individuality? How can impressionist ink-painting apply to design? The major purpose of this study is to answer these questions, which directly refer to searching for creative design. The application of computer graphics could bring about feeling of abstraction to ink-painting. One could selects partial, divisive, and even obliterated image through the process of computer graphics. Original concretized image of impressionist ink-painting could then be transformed. Once image of different dimension is added on, it may be able to reach “virtual” scenario, which the boundary of reality and simulation becomes blurred. It brings out visual “Newfoundland” and thus creates new vision of art. Especially through making calendars and posters, application of computer graphics can present characteristic of design with rich artistic and decorative disposition. Through such an exercise of computerized art design of ink-painting, this study is hoping to lay a milestone for further study in keeping up with the level of international visual design. Key Words: Impressionist Ink-painting, Computer Graphics, Visual Design

並列關鍵字

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被引用紀錄


莊志明(2006)。水墨表現於數位影像設計之創作研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-0712200716131304

延伸閱讀


  • 吳垠慧(2017)。水墨藝術的當代想像PAR表演藝術雜誌(297),158-158。https://www.airitilibrary.com/Article/Detail?DocID=10213139-201709-201709130004-201709130004-158-158
  • 莊志明(2006)。水墨表現於數位影像設計之創作研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-0712200716131304
  • 侯彥廷(2013)。城市心境-水墨創作研究書畫藝術學刊(15),383-424。https://www.airitilibrary.com/Article/Detail?DocID=a0000303-201312-201401130017-201401130017-383-424
  • 羅青(1987)。中國水墨美學初探故宮文物月刊(047),109-115。https://www.airitilibrary.com/Article/Detail?DocID=NPMM10119078-198702-202001010047-16
  • 周明聰(2000)。意象山水墨畫創作研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-2603200719105228