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  • 學位論文

複合透視手法在視覺構成之研究與應用

The study of visual composition in multiple perspectives

指導教授 : 梁桂嘉
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摘要


複合透視的手法與表現見著於東西方的繪畫、攝影、拼貼等創作表現中。雖然同樣有著複合透視的特徵,但東西方對於其手法、表現及目的卻有相當大的差異。本研究藉由文獻回顧探討複合透視形成的歷史、圖形認知的心理和影像及空間的構成關係,蒐集有關複合透視的作品加以分組與歸納,做為創作上的參考資料,並將研究歸納後的心得應用於個人創作中,以求理論與創作的相互驗證。 本研究結果歸納如下三點: (一)文獻回顧主要是從複合透視手法的形成的背景為重點,了解複合透視的定 義和歷史以及具有複合透視特徵的藝術風格,進而探究中西方複合透視的表現及差異,也將探討複合透視在時間特性上的表現以及與攝影拼貼的關係。 (二)蒐集各種有關複合透視的作品進行分析,並歸納出符合複合透視特性作品的幾項特徵:1. 空間 2. 邊緣 3. 視覺張力 4. 時間的表現。 (三)作品形式將以數位影像拼貼做為表現複合透視的手法,藉以表現城市印象的主題。並且在創作中探討城市中,人與場域的關係、時間與空間的關係;並以創新的視覺體驗,重新觀察我們所熟知的城市景物。

關鍵字

透視 複合透視 拼貼 空間 視覺張力 時間

並列摘要


Techniques of expression in multiple perspectives have been seen in both eastern and western artistic creations in painting, photography and collage. Although having characters of multiple perspectives in common, the techniques of expression and objectives differ greatly in west and east. This research discusses the history of multiple perspectives, psychology of graph recognition and the composition between image and space by article reviews. It also collects related works of multiple perspectives and then categorizes and generalizes them as references for creation. The results of this research have been applied to personal creation as mutual proofs of theories and creation. The results of this research are generalized into the following 3 points. A.The article reviews focus on the background of how techniques of expression’s forms in multiple perspectives to understand the definition and history of multiple perspectives and artistic styles with characters of multiple perspectives. Further, it discusses the differences between eastern and western techniques of expression in multiple perspectives and the relationship between expression of times and photographic collage. B.It collects and analyzes related works of multiple perspectives and then generalizes the following characters of multiple perspectives works: 1.Space 2. Edge 3.Visual tension 4. Expressions of time C.The works present the topic of city images with techniques of expression in multiple perspectives in collage of digital images. It also discusses the relationship between people and locations in the city and the relationship between time and space. By innovative visual experience, it re-observes the scenery of city that we are familiar with.

並列關鍵字

perspective multiple perspectives collage space visual tension time

參考文獻


1.尤煌傑,2004,宇宙觀與透視法的表現:中西視覺藝術在透視法所呈現的差異,國立歷史博物館學報,93 年01 期,181-200 頁。
5.劉思量,2001,傳統繪畫中的視覺表現,國立台北藝術大學,藝術評論,90 年12 期,205-220 頁。
3.黃秉富,2005,解構主義表現手法應用在數位影像之創作研究,國立台灣師範大學,碩士論文。
7.陳怡蒨,2006,移動視點表現手法應用在圖畫書之創作與研究,國立台灣師範大學,碩士論文。
8.張光毅,2006,立體感表現形式在平面構成設計中的運用與研究,國立台灣師範大學,碩士論文。

被引用紀錄


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常青(2011)。以錯視藝術導入產品設計之研究–以家具為例〔碩士論文,大同大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0081-3001201315112126
唐翊文(2012)。運用裝飾插畫諷刺女性病態美之海報設計創作〔碩士論文,亞洲大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0118-1511201215465773
陳麗琦(2013)。電影海報設計之研究與創作—以影像合成手法為例〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315281152

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