鏡裡鏡外－相聲藝術的幽默笑點與嘲諷借鑑之社敎義涵

台灣政黨惡鬥以致政壇亂象頻生，司法的口頭正義以及惟利是圖的媒體宣染，已使得國民的人生價值觀發生相當大的負面變化，年輕一代受害尤深。在社會亂象層出且背德、驚悚的社會事件與日俱增的今天，一群群良知尚存的社會人士，憑藉著一己之力，成立了些許公益機構，希望能喚回眼看即將滅絕的社會「正義」和「公理」。惟缺乏有力之宣導工具和技巧，振臂高呼之後反而被評定為宣導成果「成效不彰」。本文作者曾以相聲藝術表演方式協助該等機構，進行冰冷的社教議題宣導而成效卓著。現欲更精進地以相聲藝術進行推廣社教議題，藉由相聲「笑」的藝術魅力，順利推行社教議題的宣導，以求盡己可能為社會道德重整有所貢獻。同時亦期許藉由相聲藝術「笑」的研究，引發民眾對藝術觀賞的興趣，提昇大眾對表演藝術欣賞的素養，得以為復興傳統文化盡己一份心力。本文作者本身係相聲演員，歷有三十餘年播音、配音、舞台話劇、相聲藝術現場展演的舞台經驗，曾獲頒「青年劇展」最佳男演員「金鼎獎」獎項，更於民國75年12月拜於台灣相聲藝術宗師魏龍豪先生門下為徒，承習正統相聲藝術傳授，將所習得之相聲藝術精隨與社教議題結合，成功的將冷硬之各類社教議題寓教於樂地廣為宣導。從經驗中得知，作者諸多屢獲好評的相聲社教宣導作品，關鍵繫於相聲藝術幽默笑點與諷刺技巧之靈活、巧妙運用。現欲將該項藝術特色更形擴大，運用到各項社教議題的宣導，希求對現今社會的混亂能加以勸導、匡正。且於宣導的同時，同步地復興傳統文化，提升國人觀賞藝術表演的素養，將傳統相聲藝術介紹給群眾，將傳統相聲藝術推廣、傳承下去。本研究採質性研究之生命故事敘述與文本資料分析及幽默、逗笑手法的詮釋、比對方式進行研究，再將研究心得凝聚成具體之成果作品，希望能作為日後社教議題宣導之參考。

關鍵字

相聲包袱；逗笑；幽默逗笑

並列摘要

The struggles of Taiwan’s political parties have led to frequent chaos in the political arena. The verbal justice of the judiciary and the media’s declaration of the media have caused considerable negative changes in the values of the people’s lives. The younger generation is particularly vulnerable. Today, with the emergence of social chaos and the growing social events of horror and horror, a group of conscience-minded people have established a number of charitable organizations with their own strength, hoping to recall the society that is about to become extinct. And "axiom." However, the lack of powerful propaganda tools and techniques, after being screamed, was assessed as a result of the "effectiveness". The author of this article has assisted these institutions with the way of cross-talking art performances, and has achieved outstanding results in the icy social education topic. It is now more advancing to promote social education topics with cross-talk art. With the artistic charm of "smile", the promotion of social education issues is promoted in order to make a contribution to social morality. At the same time, it is also expected that the study of "smile" by the comic art will trigger people's interest in art viewing and enhance the public's appreciation of the performing arts, so as to make a contribution to the rejuvenation of traditional culture. The author of the thesis is a comic actor with more than 30 years of experience in broadcasting, dubbing, stage drama and cross-talking live performances. He was awarded the "Golden Ding Award" by the best actor in the "Youth Drama Exhibition". In December 1986, he worshipped under the door of Taiwanese comic singer Wei Longhao, and taught the orthodox cross-talk art. He combined the learned comic art with social education topics, and succeeded in chilling social education issues. Teaching and learning are widely publicized. It is known from experience that the author's many well-received comic dialogues and propaganda works are based on the flexible and ingenious use of humorous laughter and satire techniques. It is now intended to expand the artistic features and apply it to the various social and educational issues, and hope to persuade and correct the chaos of today's society. At the same time as the propaganda, the traditional culture will be revived simultaneously, and the quality of Chinese people watching art performances will be promoted. The traditional cross-talk art will be introduced to the masses, and the traditional cross-talk art will be promoted and passed down. This study studies the life story narrative and textual data analysis and the interpretation of humor, teasing techniques, and the way of comparison, and then condenses the research experience into concrete results, hoping to serve as a reference for future social and educational issues.