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  • 學位論文

「微光城市」-繪畫創作研究

A Study of Paintings in Glimmering City

指導教授 : 黃進龍
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摘要


摘要 本創作研究探討筆者自2012年至今的創作之內容與歷程,以「微光城市」系列作為創作的主要基礎,討論其中「光」與「空間」之關係,「經驗」與「想像」的連結,每一座城市都是筆者透過個人經由旅行所記錄的資料,藉由繪畫的轉移營造出一種新式的城市風景,而每個城市都是親身經歷的、是家鄉與遊歷間的移動紀錄,也可能是透過經驗所營造出的想像空間。對於筆者而言, 這些創作的經歷與過程如同冒險般的一場旅行,我身在其中賦予想像的因子,傳達我身於此的感性懷想,一方面道出理性的研究。 論文撰寫的主要架構共分五章,摘要如下: 第一章:緒論。敘述筆者創作研究目與動機、研究方法、研究範圍。重點擺在微光城市系列的創作,以城市環境為核心,微光即是自我居住於城市的感性詮釋,表現出人之於城市架構中的事實與想像。 第二章:創作理論文獻分析。共分為四節首先描述色光理論對於繪畫的影響,同時敘述筆者受到西方藝術流派中印象主義、基理訶、透納等…的影響,所衍伸出的創作思維與繪畫的模式。 第三章:創作理念與技法媒材。共分為三個章節,首先談論創作理念,再者敘述創作內容與形式、創作技法與媒材,最後談論創作流程與經驗。 第四章:「微光城市」代表作品分析。透過三過階段談論微光城市系列的前、中、後期的創作理念與作品個別解析。 第五章:結論。將本論文所探討的文獻資料、筆者的創作論述、與未來的發展 期待,在本章節做出一個總結。 關鍵字:微光城市、光、空間、想像

關鍵字

微光城市 空間 想像

並列摘要


Abstract The essay explores the content and course of author's creation from 2012 to the present, and discusses the relationship between "light" and "space", and "experience" and "imagination" as the main basis on creation. Each city is the author through the personal records of travel, through the information, and through the transfer of painting to create a new type of urban landscape, and each city is personally experienced, it is the home and travel between the mobile records, it may be through the experience created by the imagination. For the author, the experience and process of these creation artworks as adventure like a trip, I give imaginary factors, on the one hand to convey my sensuality in this, on the one hand a rational study. The main structure of the paper is divided into five chapters, summarized as follows: Chapter 1:The first chapter introduces the author's research purpose and motivation, research methods, research scope and so on. Focus on the creation of a series of low light city to the urban environment as the core, low light that is self-living in the city's emotional interpretation, showing the people in the city structure of the facts and imagination. Chapter 2:The second chapter of the creation of theoretical literature analysis: It is divided into four sections. First, it describe the impact of shading theory on painting, while the author of the Western art schools in the impressionism, basics, and so on, the influence of the derivative thinking and painting. Chapter 3:The third chapter is to create ideas and techniques. It is divided into four chapters. First, it discusses the creative ideas, narrates the contents and forms of the creation, the techniques and the media, and finally discusses the creative process and experience. Chapter 4::The fourth chapter of the "glimmering city" on behalf of the work of analysis: through the three stages of the city to discuss the glimpse of the city before, in the late creative ideas and works of individual analysis. Conclusion: This paper discusses the literature, the author's essay discussion, and the development of the expectations in the future, in this chapter to make a summary. Keywords:glimmering city, light, space, and imagination.

並列關鍵字

glimmering city light space imagination

參考文獻


參考書目
一、 中文書目
1. 劉其偉。《現代繪畫理論》。台北市:雄獅圖書股份有限公司,1975。
2. 陳英徳、張彌彌。《德・基理訶:形而上派繪畫大師》。台北市:藝術家出版社,2003。
3. 何政廣。《莫內MONET》。台北市:藝術家出版社,2008。

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