羅伯特・舒曼《聯篇歌曲集，作品二十四》之樂曲分析與鋼琴合作詮釋探討

羅伯特・舒曼(Robert Schumann, 1810-1856)為十九世紀德國浪漫派作曲家，以德文藝術歌曲與鋼琴曲留名音樂史。本文之研究主題為舒曼的第一部聯篇歌曲作品《聯篇歌曲集，作品二十四》，此作品完成於 1840 年，舒曼將九首詩作按照原序譜曲，由於各詩中講述詩人對愛慕對象的思念與等待，並藉由與其他人物如小鳥、船夫對話，表露其深切情感，舒曼於是透過不同調性及動機變換來強化詩人情緒、建立氛圍。此部作品寫於 1839 至 1840 年，期間舒曼與克拉拉正準備要結婚，原詩中對於愛人的思念與渴望皆透過舒曼真摯的音樂表露無遺。本文涵蓋五個章節:第一章為緒論，說明研究動機與目的、研究方法及架構;第二、三章皆為文獻探討，整理出分析本作品之前應具備的基本相關知識，如作曲家與詩人的生平背景和創作特點，著重於作曲家舒曼成長背景與藝術歌曲特質，第三章則為以詩人海涅為重，先概述生平，進而介紹其代表詩作與創作風格;第四章為《聯篇歌曲集，作品二十四》之樂曲分析鋼琴合作詮釋探討，首先介紹詩作及樂曲的創作歷程，再經筆者實際演奏及與歌者合作，並搭配樂譜及有聲資料參考，深入分析樂曲結構、詩詞意境與探討鋼琴合作詮釋，進而以鋼琴合作者角度給予練習及演奏上的建議;第五章為全文結語。

關鍵字

舒曼；海涅；《聯篇歌曲集，作品二十四》；浪漫樂派；德文藝術歌曲；鋼琴合作

並列摘要

Robert Schumann (1810-1856) was one of the famous Romantic German Lieder composers in the 19th century. His first song cycle, "Liederkreis, Op.24", was composed in 1840. Schumann chose nine poems in the original order and composed this song cycle. All poems are love poems telling the poet's yearning and waiting for his lover, revealing his yearning by talking with other characters such as birds and boatmen. Schumann extended the poet's mood and established poetry’s atmosphere through different tonal and motivic changes. Since this work was written between 1839 and 1840, while Schumann and Clara were preparing for marriage, all longings and desires for love were thus also clearly revealed in Schumann's sincere writing. There are five chapters in total: Chapter One is the introduction, revealing the motivation and the purpose of the author as well as explaining the methodology of this research; Chapter Two which is literature review, focuses on the composer Schumann’s background and the characteristics of his art songs, and Chapter Three reviews the poet Heine’s background summarizing his life experiences, then introducing his representative works, Chapter Four comes to the music-analysis and collaborative-piano performance interpretation of "Liederkreis, Op.24", firstly introducing the composing background of the poetry and music, then from the actual experience of collaborating with singer, the author analyzes all songs in details, and give recommendations for the pianist to collaborate efficiently; the final chapter is the conclusion for the whole thesis.