關迺忠第二二胡協奏曲《追夢京華》作品分析與指揮詮釋

關迺忠（1939～）於2002年完成的第二二胡協奏曲《追夢京華》，以交響樂團與獨奏二胡之形式所寫成，作品不以西方傳統三樂章協奏曲式所作，而是在關迺忠對於西方音樂架構的深刻理解，及長期浸泡於中國戲曲經驗中所融會貫通的結晶。本作品問世後締造了二胡協奏曲的熱潮，成為經典之外也為二胡技術提升至新的層次，創作同年由于紅梅擔綱獨奏、李心草指揮中國交響樂團的首演造成極大迴響。此後這部作品頻繁地在音樂會的舞台上演，經歷了不同版本與演奏詮釋，於二胡音樂中留下了不朽的價值。本篇論文以五個章節呈現，透過對作曲家以及其時代背景的研究，經過作品分析，最後綜觀資訊於指揮詮釋章節表達所知，除此之外也綜合了研究者對於總譜的理解、音樂會排練的經驗，以及二胡演奏的深刻研究。研究者期望透過本篇論文能更理解關迺忠大師的創作理念，也期盼為作品分析、詮釋以及實務運用留下具有參考價值的學術資料。

關鍵字

關迺忠；二胡協奏曲；追夢京華；中國傳統戲曲

並列摘要

Guan Naizhong (1939~) developed the Erhu Concerto No.2 ''Recollection of Old Beijing", which based on the symphony orchestra with a solo erhu, and completed in 2002. The work is not done in the Western traditional three-movement concerto, instead of the profound understanding of the Western symphony structure and the long-term experience of immersing in Chinese opera. After the advent of this work, the enthusiasm for the erhu concerto was all the rage, and the erhu skill was upgraded to a new level. With the premiere in the same year, the solo by Yu Hongmei accompanied by the China National Symphony Orchestra and conducted by Li Xincao, the performance was gained significantly hot response. Since then, the work has been frequently demonstrated on the stage of the concert. It has experienced different versions and interpretations and has left the immortal value in erhu music. This study is presented in five chapters. Through the analysis on the composer and his background, the review of the work, and finally the comprehensive information in the command interpretation chapter, it is anticipated to integrate the researcher's understanding of the score. The experience of concert rehearsal and the study of erhu performance. The researchers hope that through this study, everyone can better understand Guan Naizhong's creative ideas, and to leave valuable academic materials for the analysis and interpretation of works and practical applications.