客家心 原鄉情—沈錦堂客家音樂作品研究

A Study on Hakka Musical Compositions of SHEN Ching-Tan —The Composer's Spirit and Feeling Originating from Hakka Hometown

李珮寧(Li Pei-Ning)

指導教授 ： 許瑞坤

國立臺灣師範大學/音樂學院/民族音樂研究所/碩士(2016年)

https://doi.org/10.6345/NTNU202204168

摘要

沈錦堂，1940年生於新竹縣關西鎮，自小熱愛歌唱，喜歡摸索、學習不同類型的樂器。二十三歲考入國立藝專主修作曲，正式進入音樂專業領域，也開啟了他的音樂創作生涯。從1966年至今，其創作涵蓋室內樂、管弦樂、國樂合奏等。半數以上為歌樂作品，獨唱曲、合唱曲、歌劇及宗教歌曲皆在其創作範疇中，可謂作品類型相當豐富的作曲家。

本論文以臺灣當代客籍音樂家—沈錦堂為研究對象，主要研究其以「客家音樂」為素材創作的歌樂及器樂作品，包含：藝術歌曲《露水》、《秋思》，合唱改編曲《老山歌》、《催眠曲》；管弦小品《山歌輪旋》、交響詩《客家情》，從而探究沈錦堂客家音樂的創作手法與風格。

內文分成四個重點：一、沈錦堂成長背景與音樂學習歷程。二、沈錦堂的音樂創作及展演活動。三、沈錦堂以客家音樂為素材之「歌樂」作品分析。四、沈錦堂以客家音樂為素材之「器樂」作品分析。

筆者運用實地調查、訪談紀錄、資料蒐集、樂曲分析等方式，並經由各項資料的歸納、統整，將其在音樂領域上的成就與貢獻詳實的記載下來，完成此篇論著。希冀日後能提供相關研究者作參考，讓更多人認識沈錦堂的音樂作品，與這麼一位情感真摯、風格獨具的作曲家。

關鍵字

沈錦堂 ； 客家音樂素材 ； 歌樂作品 ； 器樂作品

並列摘要

SHEN Ching-Tan (SHEN Jin-Tang) was born in Hsinchu County’s Guanhsi Township in 1940. SHEN loves singing and learning diverse categories of instruments. When he was 23, he was admitted to National Taiwan University of Arts, and majored in composition. Since then, he entered the professional domain of music, and started his musical compositions career. From 1966 to the present, SHEN Ching-Tan’s musical works contain chamber music, orchestral music, and Chinese orchestral music, etc. Vocal works account for half of his list of compositions, such as solo vocal works, chorus music, opera, sacred songs included. From the above we can see that SHEN is a composer writing many different types of pieces.

The object of this study is Taiwan contemporary Hakka musician—SHEN Ching-Tan, and the focus is on the application of Hakka folk songs elements to his vocal and instrumental works, including Hakka art songs: Dew and Feeling of Autumn (2008), chorus transcriptions: Old Mountain Song and Lullaby (1977), a piece for orchestra: Rondo of Mountain Songs (1987), and symphonic poem: Hakkas’ Feeling (2012), so as to explore SHEN’s creative approaches and musical styles.

There are four key points in the content of this study: First, narrating SHEN’s background, and the process of learning music. Second, introducing SHEN’s musical compositions, and his participation in various musical exhibitions. Third, analyzing the application of Hakka folk songs elements to SHEN’s “vocal” works. Last, analyzing the application of Hakka folk songs elements to SHEN’s “instrumental” works.

The study is accomplished through on-the-spot investigation, records of interviews with the composer, and analysis of musical works. All his contribution and achievement in the field of music are recorded by means of analysis, induction, and integration. The writer hopes that this study will offer hakka music-related research for future reference, and the public will have a deeper understanding of SHEN Ching-Tan, the sincere and unique composer, and his musical compositions.

並列關鍵字

SHEN Ching-Tan ； the application of Hakka folk songs elements ； vocal works ； instrumental works

參考文獻

一、專書

伍國棟。《民族音樂學概論》。北京：人民音樂出版社，1997。

呂錘寬。《臺灣傳統音樂概論 歌樂篇》。臺北：五南圖書出版股份有限

公司，2005。

______。《臺灣傳統音樂現況與發展》。宜蘭：國立臺灣傳統藝術總處籌備處，2009。