返山日記─呂浩維水墨創作論述

摘要在高密度都市發展的國家中，揭示現代人與古人的生活差異性，其主要聚焦在人與大自然的利害關係和山水畫自然崇拜的串聯；原始人類從對大自然的畏懼轉變為崇拜，再從現代社會的消費型態、環保議題中進行自我反省與批判，探究現代人所接觸的自然已不如過去的原始狀態，而是經由科技與人為的產物重新塑造的「自然」。本研究第二章節透過逃避主義來探討人類對自然的關係以及自然崇拜的創造動力，搜尋中國繪畫、畫論、東方與西方哲學與文學等面相來深入了解山水畫與人類天人合一的思想與哲學智慧，梳理歷年哲學等文化資產中人類對自然崇拜的線索。而第三章節，將古代的自然崇拜與現代人面臨的身心問題找尋共通點，延伸並論證中國山水繪畫的精神與其不同創作者的時空背景與獨特意義，而現代藝術家如何應對這瞬息萬變的世代轉變，在傳達古人山水韻味與精神的同時，如何將現代產物加以借題發揮。第四章與第五章則發表筆者研究所後期的創作作品以及媒材實驗的表格整理，包括創作時間表格、紙張與創作媒介的比較、展覽發表等文字紀錄以及個人創作說明，兩個章節皆圍繞在探討工業用具的使用與水墨繪畫的定義與可能性，並在第六章總結筆者對水墨繪畫的精神與獨特的形式美感之不同看法，將現代生活中所會接觸的工業材料以及古典水墨繪畫融合為具時代象徵的創作作品，此創作形式是否能夠反應創作者的環境、社會狀態、生活模式以及人類與自然的矛盾關係。

關鍵字

水墨創作；自然崇拜；都市生活；複合媒材

並列摘要

In a country with high-density urban development, it reveals the difference in life between modern people and ancient people, which mainly focuses on the connection between the interests of man and nature and the natural worship of landscape paintings; primitive humans have changed from fear of nature to worship, and then Self-reflection and criticism from the consumption patterns of modern society and environmental issues, exploring the nature of modern people is not as good as the original state of the past, but the "nature" reshaped by technology and man-made products. The second chapter of this research explores the human relationship with nature and the creative power of nature worship through escapism. It searches for aspects of Chinese painting, painting theory, Eastern and Western philosophy and literature to gain an in-depth understanding of landscape painting and the idea of the unity of nature and man. And philosophical wisdom, sort out the clues of human worship to nature in cultural assets such as philosophy over the years. In the third chapter, the ancient nature worship and the physical and mental problems faced by modern people are found in common, extending and demonstrating the spirit of Chinese landscape painting and the time and space background and unique significance of different creators, and how modern artists deal with this ever-changing generation. The fourth and fifth chapters publish the author’s later creative works and media experiment table sorting, including the creation time table, the comparison of paper and creative media, the written record of exhibition publication, and the description of personal creation. Both chapters It focuses on exploring the use of industrial appliances and the definition and possibilities of ink painting.