《廣陵止息》─多媒體音樂會之設計與實踐

本論文以畢業製作《廣陵止息》多媒體音樂會為題，討論從發想至建立架構，到最終如何將規劃內容進行演出實踐。首章主要陳述筆者多年來觀察各類結合音樂、舞蹈與劇場等藝術之表演啟發，進而論述如何透過演出場地、舞台燈光與視覺設計等將多重媒體合一來呈現畢業成果。第二章回溯多重媒材運用於音樂展演之歷史，確立本畢業製作在音樂劇場與音樂會劇場之定位，並由劇場概念為出發點，論述本音樂會使用之元素，以及如何展現以魏末晉初時期「竹林七賢」中的名士嵇康為題之文本創作。第三章則以筆者自身中阮專業，探討選曲緣由及曲目編排之思考。最後，以分幕分場的方式，解說演出流程安排，展現出各種表演藝術元素融合之劇本，並以流程圖像化等方式，讓多媒體音樂會之架構可視化。

關鍵字

多媒體音樂會；竹林七賢；嵇康；中阮；劇場元素

並列摘要

This dissertation focuses on the graduation production of the "Guang Ling Zhi Xi" multimedia concert, discussing from the idea to the establishment of the structure, and finally how to implement the content into the performance practice. The first chapter mainly starts from my experiences, stating that the author has observed various performances that combine music, dance, and theater for many years, and then discusses how to combine multiple media through performance venues, stage lighting and visual design to present graduation results. The second chapter continues the thoughts of the first chapter, and traces the history of the use of multiple media in music performances, establishes the position of this graduation production in music theaters and concert theaters, and discusses the elements used in this concert from the theater concept as a starting point, and show the creation with the theme of Ji Kang, a famous scholar in “The Seven Sages (The Bamboo Grove)“ in the late Wei Dynasty and early Jin Dynasty. The third chapter discusses the reason for the selection of the music and the thinking about the arrangement of the music based on my major instrument“Zhongruan”. Finally, the performance process was explained in the way of step outline, showing the script of the integration of various performing arts elements, and visualizing the structure of the multimedia concert by means of process visualization and other methods.