「邊界游移」—呂宗憲繪畫創作研究

摘要筆者想藉由平面繪畫的載體提出反思，探討自身所經驗的空間、符號圖像與平面繪畫的相互連結，透過繪畫特有的空間表現與觀者進行對話。《邊界游移》系列是源自日常「騎車通勤」的經驗，經過個人情感投射出的心象風景，透過這些看似熟悉的日常空間，抒發步入社會對未來感到的迷茫，面對自身與社會的疏離所帶來的思考。在這些冰冷的符號上人類建立了現代社會的秩序，這些交通符號和空間結構就像是社會中的常規和既定的價值觀，深刻影響著我們的生活，這些路標指示如同在盲目生活中的一種依歸，只要遵從交通號誌的指示便可以繼續前行，生活也是如此，在看不見的力量下我們被迫活出社會想要的樣子，不知不覺中變的不像自己、不知道自己想要去的地方，我們都是在自我與社會準則間游移的人，想要回到一個自己的歸處，卻時常迷失在邊界上。我們都只是時代洪流下的一粒沙子，並不能憑一己之力改變大環境，唯一能做的就是調整自己，將自身的心靈從此困境中解脫出來，在面對社會與自我的拉扯下，要選擇多去傾聽自身的真實聲音，並在現實與理想的兩個端點間找到平衡，將自身心態調整好與準備充足時，就不會陷入自我懷疑的游移狀態，最後要做的就是認真的感受當下，並勇敢的去面對挑戰。本論文分為五章，分別有緒論、學理基礎、創作理念與實踐、作品解析、結論。第一章緒論說明研究動機與目的與過去的創作脈絡。第二章學理基礎以「繪畫的空間」、「游移的人們」兩章節，從筆者創作的形式、內容去做討論。第三章創作理念與實踐，闡述創作理念與分析創作轉變的思考。第四章作品解析，將對個別作品進行分析描述和問題討論，最後結論提出筆者對於研究所階段創作的反思、心得感想與未來展望。關鍵字:繪畫空間、平面化、游移、邊界、疏離

關鍵字

繪畫空間；平面化；游移；邊界；疏離

並列摘要

Abstract The artist aspires to reflect this theory through his paintings and discussabout the interconnections among the personal experiences of space, symbolism of imagesand works of art.Dialogue with the viewer through the unique spatial representation of the painting. 《Wandering on border》derived from the daily experience of Ride the motorcycle. The mental landscape projected by personal emotions, through these seemingly familiar daily spaces, expresses the confusion about the future of entering the society, and the thinking brought about by the alienation of oneself and society. On these cold symbols, mankind has established the order of modern society. These traffic symbols and spatial structures are like regular and established values in society, which profoundly affect our lives. These road signs are like a kind of refuge in a blind life, as long as you follow the instructions of the traffic signs, you can move on. also in life, an invisible power forces us to fulfill the socialexpectations, loose ourselves and loose our direction. We vacillate between the self andsocial standards; hoping to redeem the self, we constantly loose our way on the edge. This thesis is divided into five chapters, including introduction, theoretical foundation, creative concept and practice, work analysis, and conclusion. The introduction of the first chapter explains the research motive and purpose and the past creation context. The second chapter is based on the theoretical basis of the two chapters "Space" and "Wandering People", discussing the form and content of the author's creation. The third chapter is the creation concept and practice, expounds the creation concept and analyzes the thinking of creation change. The fourth chapter works analysis, will analyze and describe individual works and discuss problems. The final conclusion puts forward the author's reflection, feelings and future prospects of the research stage creation. Keyword:Painting space、Flattening、Wandering、border、Alienated