離域計畫：張芷蓁水墨創作論述

A Plan for Leaving Area：A Study of Chang, Zhi-Zhens' Ink Art

張芷蓁(Chang Zhi-Zhen)

指導教授 ： 李君毅

國立臺灣師範大學/藝術學院/美術學系/碩士(2022年)

https://doi.org/10.6345/NTNU202201184

摘要

本文將筆者自身研究所時期所創作的作品作為此次研究計畫之對象，其創作脈絡源自身體意向衍生的情感連結。研究內容多為筆者自身對各式「場域」的記憶與情感，並藉由創作將相關經驗以計畫形式展現於畫面中。
第一章是為本次研究之緒論，針對創作動機目的、內容範圍、方法與相關名詞釋義進行研究上的初步梳理。第二章學理依據是以現象學角度為主，藝術治療相關書籍為輔，探討「離域」中「域」與「離」的意義界定與相關連結，並整理以此創作形式呈現主題「離域」的原因與計畫儀式性的相關意向。接著第三章為闡述創作研究的思想內容與形式表現；首先說明創作理念與思維，探究作品中顯現的重要表徵，如：碎片場域、線與時間性；並講述創作的形式風格與脈絡，是說明離域計畫與水墨意象的連結與創作脈絡的重構、線體表現，而後針對媒材與技法表現，分析本次研究的媒材選擇、表現技法實踐與創作步驟。第四章部分則會進一步分析各系列創作內容與意涵，從「想像」、「珍藏」至「沈澱」系列，分別詳加解釋各系列作品的創作形式概念與畫面呈現之特殊意涵。

關鍵字

現象學 ； 身體意向 ； 經驗 ； 場域 ； 離 ； 水墨

並列摘要

The works created during the author's graduate studies are the subject of this study. The creative contexts originated from the emotional connections derived from the author's own physical intentions. The author's own memories and emotions of various "area" are the content of this study, and the relevant experiences are presented in the form of a plan through the creation of the author's art works.
Chapter 1 is an introduction to this study, focusing on the motivation and purpose of creation, the scope of content, the methodology, and the definition of related terms. The second chapter is based on the phenomenological perspective, supplemented by books on art therapy, to explore the definition of the meaning of "domain" and "departure" in "Departure from the Domain" and the related connections. The reasons for presenting the theme "Departure from the Domain" in a creative form and the intention of its programmatic nature are sorted out. The third chapter describes the ideological content and form of this creative study. It begins with a description of the creative concept and thinking, and explores the important symbols that appear in the art works, such as the fragmentation area, line and timing. Then the creative style and contexts are described, including the connection between departure from the domain and ink imagery, the reconstruction of creative contexts, and the expression of lines. In addition, the selection of media, the practice of expression techniques, and the creation steps of this study are analyzed in terms of their mediums and technical expressions. In Chapter 4, the content and meaning of each series are further analyzed, from imagination, collection to precipitation series, and the concept of each series' creation form and the special meaning of the painting surface will be explained in detail.

並列關鍵字

phenomenological perspective ； physical intention ； experience ； area ； leaving ； ink

參考文獻

專書

加斯東．巴舍拉(Gaston Bachelard)，《空間詩學》，〈The Poetic of Space〉，龔卓軍、王靜慧譯，臺北：張老師，2010。

亞瑟．丹托(Arthur C. Danto)，《在藝術終結之後：當代藝術與歷史藩籬》，(After The End of Art)，林雅琪、鄭惠雯譯，台北：麥田，2010。

朱迪思･魯賓(Judith Aron Rubin)，《藝術治療取向大全-理論與技術》，〈Approaches to Art Therapy：Theory and Technique〉，陸雅青等譯，新北市：心理，2019。

林宏璋，《後當代藝術徵候：書寫於在地之上》，台北：典藏，2006。