立體影像與光之視觸覺互動創作－自然界的皮層律動

The Rhythm of Cortex in the Nature－An Interactive Creation Project with Tactile Visualize,Lighting and 3D Imaging

張琳貞(Lin-Chen Chang)

指導教授 ： 黃雅玲

崑山科技大學/創意媒體學院/視覺傳達設計研究所/碩士(2012年)

https://doi.org/10.6828/KSU.2012.00024

摘要

面對科技文明的發達，科技產物日漸融入人們的生活之中，影響著文化、社會以及人們的生活方式，因此藝術家也開始思考科技媒材的應用，而科技的進化也改變了藝術的形式；從杜象(Marcel Duchamp)提出藝術品須與觀眾是雙向溝通的觀念後，80年代藝術家開始實質的讓作品與觀者進行互動，以至現今，可從科技藝術創作上發現幾項特點，技術層面上的「互動機制」、「媒體(材)創新」以及思維上的「如何讓人與互動科技自然的溝通」還有「人、科技與自然的平衡點」。因此本創作主要探討以人的感知「視覺與觸覺」共感為中心，透過互動設計與科技媒材「立體影像技術與光媒材」進行創作，並連結自然現象「日光溫度與雨的色彩」關懷自然議題，將太陽的溫度感受與雨水酸雨現象之概念介入於創作作品「日溫」與「雨色」，探究科技應用以及與觀者的視觸覺感知、作品互動距離關係等層面。
文獻探討主要針對「視觸覺感知」、「立體影像技術」、「互動科技」、「自然現象」四個部分探究彼此間的關係與應用，透過文獻可發現影像成像的原則、科技媒材之運用可能性以及觀者與互動作品的溝通方式，並藉由兩組實驗分別探討影像投射與光在成像介質上的清晰度以及立體空間成效，將其適合的視覺原則延伸至創作中，以及測試不同的投射方式與介質，可得知其他材質的未來發展性。本創作經由實驗以及創作過程中得到以下結果：
1.針對立體影像上降低成本之考量，透過簡易的螢幕顯示與不同反射率的媒材作為成像介質，實驗得知反射與穿透皆為50%的PET反射膜成像效果最佳，趨於清晰且達到立體空間之效。
2.在科技媒材的應用上，安全性高的LED與特殊的光學膜-菱鏡片結合下，因折射產生具線條化的視覺，但創作過程中發現材質維護之困難性尚需克服。

關鍵字

視觸覺 ； 互動 ； 立體影像 ； 光 ； 自然

並列摘要

Because of the development of the technology, the technical products affect the cultures, societies and lives of people day by day. The artists begin to think of the applications of technical materials, the evolution of the technology also changes the form of art. Since Marcel Duchamp brought up an idea that a work of art should communicate with the viewers, the artists of 80s started to let their works interact substantially with viewers. So far, people can discover several particulars from the works of technical art, including the interaction mechanism and the materials created of technical level, and also the thinking in communication with human being, technology and natural. The purpose of this research was to investigate the sympathy of visual and tactile sense of people. The result of research is following with a creation project, which is created with the interaction design and the 3D image technology and lighting materials. The concept of the creation project is base on the natural appearances, especially the solar temperature and the colors of rain. By joining the concept of the feeling of solar temperature and the phenomenon of acid rain into the works – the Solar Temperature and the Color of Rain – this research explores the applications of technology, the sense of tactile visualize of viewers and the relationships of interaction with the works.
The article review of this dissertation is to investigate the relationships and applications between the sense of tactile vision, 3D image technology, interaction technology, and natural appearance. From the article review discussed the principle of imaging, the possibility of the using of technology materials, and how the works communicated with the viewers. In addition, two experiments which discussed the imaging cast and how the light acted on a clear 3D image in mediums shall extend an appropriate principle of vision into the works. Finally, to test the different ways of cast and mediums could discover the potentiality of other materials.
The findings revealed the fowling consequences through the experiments and creating process:
1. By a simply constructed screen and the materials of different reflection rate as a medium, the PET reflection film of a 50% reflection and penetrable rate shall get the best imaging effects and a clear 3D image and reduce the cost.
2. With regard to the application of technical materials, to combine the high-safety LED and the special optical film-Prism will cause a linear vision based on the refraction. Still the difficulty of materials’ maintenance discovered in the creating process needs to be overcome.

並列關鍵字

Tactile Visualize ； Interactive ； 3D Imaging ； Lighting ； Nature

參考文獻

【12】高雄市政府文化局(2010)。2010好漢玩字節。台北市：漢生科技有限公司。

【1】林東龍、張文裕(2005)。混合材質在視觸覺上之差異性研究。高雄師大學報，19，1-15。

【3】王則眾、林嘉俊(2008)。觸覺形態特徵對操作方向認知之關係。設計學報，13(1)，1-24

【4】龔卓軍(2004)。身體與科技之間：媒體藝術的現象學。視覺藝術，7，93-120。

【5】郭世謀、李傳房(2001)。實體視圖中雙眼圖像距離對裸眼立體視之影響。設計研究，1，83-87。