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  • 學位論文

工藝文化創意產業之研究-以橡皮筋編織技法為例

Process of Cultural and Creative Industries –Take a Rubber Band Weaving Techniques Case

指導教授 : 李蕙敏
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摘要


本研究希望藉由橡皮筋編織工藝產業的誕生,發展成為一個高附加價值文化創意產業設計的成功案例,做為未來推動相關編織工藝轉變與創新的依據。 蒐集工藝及編織相關文獻資料,研究工藝產品發展與編織藝術的起源,利用橡皮筋編織技法,了解編織藝術在文化創意商品發展的特殊意義,台灣工藝是早期人民生活智慧的累積,也是珍貴的無形文化資產、有豐富的文化元素,更可運用於文化創意產業之發展與研究。 編織工藝因應社會變遷,發展出許多創意的編織技法,為了不讓這個傳統產業日漸消減,因應良好的經營方式及編織商品和行銷的管道,讓編織工藝產業蓬勃發展。 在這個數位科技的時代,人們利用和玩樂的工具是「手機、平板、遊戲」,取而代之的話題居然是「彩色橡皮筋」,彩色橡皮筋工藝在全球掀起一股風潮,編織器是一大推手,這是否就 現,小朋友總是帶著一條彩色編織橡皮筋編織的手環,就知道彩色橡皮筋魅力有多大了。

並列摘要


In this study, hoping the birth of a rubber band weaving industry has developed into a high added value of cultural and creative industries design success stories, as related to the future to promote the process of change and innovation woven basis. Collection processes and braiding origin related literature, research product development and the art of weaving technology, the use of rubber band weaving techniques, learn the art of weaving in a special sense of cultural and creative product development process is the accu-mulation of the early people of Taiwan wisdom of life, is precious intangible cultural assets and rich cultural elements, but can be applied to research and development of cultural and creative industries. Weaving in response to social changes, the development of many innovative weaving techniques, in order to prevent the reduction of traditional industries increasingly, in response to good business manner and woven goods and marketing pipeline, so that weaving industry to flourish. In this era of digital technology, people use the tools and play "phone, tablet, game," the topic is actually replaced by "colored rubber bands", color rubber band in the world set off a wave of craft, knitting is a big push hands , does this now, the children always with a colored rubber band weave woven bracelet, you know how much of the charm colored rubber bands.

參考文獻


2.劉豐榮,2004,視覺藝術創作研究方法之理論基礎探析:以質化研究觀點為基礎,《藝術教育研究》,73-94,台北市。
參考文獻
1.橡皮人魯夫看了都要甘拜下風的「橡皮筋洋裝」,http://www.damanwoo.com/node/31406
3.林榮泰,2009,“「工」不可沒•「藝」不可失”,台灣工藝,33 期,頁 6-12,
國立台灣工藝研究所,南投。

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