乳房的多重樣態‐《獨立器官》創作論述

本論文為《獨立器官》— 乳房系列雕塑作品的畢業創作論述。論文沿著創作的概念、脈絡與過程，探討女性胸部的獨特性與獨立性，希冀藉由對乳房多重樣態的探討與揭露，來消弭身體政治的限制，從現象學範疇對象來還原乳房之於身體的展現。筆者選擇以真實人體翻模所取下的乳房器官製作成雕塑作品，以非語言和圖像的創作方式來呈現身體政治對自我的壓迫與自身期待的身體面貌，意圖呈現並給出其他面相的女性乳房。自古以來，身體一直是各種權力競逐的場域，而女性身體，尤其是第二性徵乳房更被賦予性別意涵。身體樣貌不該只有一種存在，對於身體的色彩不應只有政治層面的詮釋，更應鼓勵女性由內出發，感受身體帶給她們的變化。論文將以筆者身為女性藝術創作者的視角切入，從女性成長焦慮與體態變化具體地詮釋乳房的雕塑，使身體意識不再是單一面向，而是不斷衝破文化規則下持續改變的課題。

關鍵字

女性乳房；身體政治；身體自主權；多重樣態；雕塑

並列摘要

This thesis describes the creative product of the graduation project, Independent Organs, a series of statues depicting breasts. It explores the uniqueness and independence of women’s breasts through the creative concept, the creative context, and the creative process behind the artwork .It is hoped that by investigating and exposing multiple shapes of breasts, this paper will help to remove the constraints of politics of the human body; further ,In the perspective of phenomenology, it will return breasts to their original status of being a part of the human body ,to rid of the limitation of body politics. My has chosen to create statues depicting the human organ as removed from the real human form; I uses non-linguistic, imagery-based methods to demonstrate self-repression and self-expectations of one’s body that result human body politics. In doing so, the artist demonstrates and displays other features of the female breast. Since the ancient times, the body has been a field on which different powers compete; and the female body, especially the breast, has been imparted a gendered significance. Individual physical appearances or skin colours should not be given preference when the human body is interpreted at a political level; rather women should be encouraged to look inwards in order to sense the changes that they experience as a result of their bodies. This thesis is written from my perspective, a female artist; to present specific interpretations of depictions of human breasts on the sour of female anxiety during growing up and the observation of the changes in the form of one’s body. In doing so, body consciousness is no longer treated as one-dimensional, but rather as an endlessly evolving topic in a context where cultural norms are regularly deconstructed .